Contents |
Attentive listening -- Interlude: Rousseau's transports of attention -- Sulzer and the aesthetic force of music -- Forkel on expert and amateur listening practices -- Elements of a rhetoric of attention. |
Abstract |
The silent attentiveness expected of concert audiences is one of the most distinctive characteristics of modern Western musical culture. This is the first book to examine the concept of attention in the history of musical thought and its foundations in the writings of German musical commentators of the late eighteenth century. |
General note | Revision of the author's thesis, with title: Attentive listening : the concept of Aufmerksamkeit and its significance in German musical thought 1770-1790 (Ph. D.)--University of London, 2000. |
Bibliography note | Includes bibliographical references (pages 173-184) and index. |
LCCN | 2003023158 |
ISBN | 0754632679 (alk. paper) |