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LEADER 02161cam 22003974a 4500
001
ocm53276339
003
OCoLC
005
20141212181134.0
008
031021s2004 enka b 001 0 eng
010
a| 2003023158
020
a| 0754632679 (alk. paper)
035
a| (Sirsi) o53276339
035
a| (OCoLC)53276339
040
a| DLC
c| DLC
d| UKM
d| ERE
d| UtOrBLW
042
a| pcc
049
a| EREM
050
0
0
a| ML3877
b| .R53 2004
082
0
0
a| 781.1/7
2| 22
100
1
a| Riley, Matthew,
d| 1975-
=| ^A590269
245
1
0
a| Musical listening in the German Enlightenment :
b| attention, wonder and astonishment /
c| Matthew Riley.
260
a| Aldershot, Hants, England ;
a| Burlington, VT :
b| Ashgate Publishing Limited,
c| ©2004.
300
a| ix, 188 pages :
b| illustrations ;
c| 25 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
500
a| Revision of the author's thesis, with title: Attentive listening : the concept of Aufmerksamkeit and its significance in German musical thought 1770-1790 (Ph. D.)--University of London, 2000.
504
a| Includes bibliographical references (pages 173-184) and index.
505
0
a| Attentive listening -- Interlude: Rousseau's transports of attention -- Sulzer and the aesthetic force of music -- Forkel on expert and amateur listening practices -- Elements of a rhetoric of attention.
520
a| The silent attentiveness expected of concert audiences is one of the most distinctive characteristics of modern Western musical culture. This is the first book to examine the concept of attention in the history of musical thought and its foundations in the writings of German musical commentators of the late eighteenth century.
650
0
a| Music
x| Philosophy and aesthetics
x| History
y| 18th century.
=| ^A18895
650
0
a| Music
z| Germany
y| 18th century
x| History and criticism.
=| ^A1114182
650
0
a| Listening.
=| ^A8618
994
a| C0
b| ERE
596
a| 3
998
a| 985731
999
a| ML3877 .R53 2004
w| LC
c| 1
i| 30372013302499
d| 7/17/2014
e| 7/7/2006
f| 4/25/2024
g| 4
l| MST
m| JMUSIC
n| 4
p| $79.95
q| 3
r| Y
s| Y
t| MGESBK
u| 7/29/2004
x| BOOK
z| MCIRC
o| .STAFF. enhanced 1/31/24 -jjab