ECU Libraries Catalog

Mambo kingdom : Latin music in New York / Max Salazar.

Author/creator Salazar, Max, 1932-2010
Format Book and Print
Publication InfoNew York : Schirmer Trade Books, 2002.
Descriptionx, 309 pages, 16 pages of plates : illustrations, portraits ; 25 cm
Subject(s)
Contents The development of Latin music in New York City -- Rafael Hernández -- Gabriel Oller -- Conjunto Caney -- Alberto Iznaga -- Miguelito Valdés -- Alberto Socarrás -- Anselmo Sacasas -- Marcelino "Rapindey" Guerra -- Noro Morales -- Joe Loco -- Federico Pagani -- The Palladium -- José Curbelo Monchito Muñoz -- John "Big Daddy" Rodríguez -- Tito Rodríguez -- Tito Puente -- Jimmy Frisaura -- Frankie Colón -- Vicentico Valdés -- Vitin Aviles -- Gilberto Monroig -- Santitos Colón -- Tony Molina -- Orlando Marín -- La Lupe -- Two centuries of charanga -- José Fajardo -- Charlie Palmieri -- Joe Quijano -- Eddy Zervigón -- Hector Rivera -- Tony Pabón -- Joe Cuba -- Willie Torres -- Cheo Feliciano -- Joe Bataan -- Salsa origins -- Jerry Masucci -- The Corso -- Willie Rosario -- Hector Lavoe -- Willie Rodríguez.
Abstract El Barrio, the Spanish phrase for 'the neighborhood' is recognized by Hispanics who have lived in NY City's East Harlem--the Upper East Side that runs northward from 96th to 125th Streets and Eastward from 5th Ave. to the East River Drive. 'Spanish Harlem' as it is often called, was a refuge for Puerto Ricans and Cubans. In 1942, the Palladium Ballroom opened in midtown Manhattan, and it was there that a new Cuban rhythm--the mambo--exploded. Today, popular up-tempo Latin dance music is called 'salsa' and that sound is rooted in the Palladium Ballroom, in Cuba, and especially in Spanish Harlem. This book is about the musical sounds of El Barrio and the people who made those sounds, beginning in the 1920s.
Bibliography noteIncludes bibliographical references and index.
ISBN0825672775

Available Items

Library Location Call Number Status Item Actions
Music Music Stacks ML3411.8.N48 S25 2002 ✔ Available Place Hold