| Series |
Publications of the Center for the History of Music Theory and Literature ; v. 3
Publications of the Center for the History of Music Theory and Literature ; v. 3. ^A430883
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| Contents |
Music theory in Clio's mirror / Thomas Christensen -- "Adhuc ex parte et in enigmate cernimus ..." Reflections on the closing chapters of Musica Enchiriadis / Calvin M. Bower -- Sense and rhetoric in late-medieval polyphony / Margaret Bent -- Marenzio and the "Nuova aria e grata all'orecchie" / Anthony Newcomb -- Composer as theorist? Genus and genre in Monteverdi's Combattimento di Tancredi e Clorinda / Tim Carter -- Cognate music theory / John Walter Hill -- Hebrew exemplum as a force of renewal in 18th-century musical thought : The case of Benedetto Marcello and his collection of psalms / Don Harrʹan -- Theorizing the comic surface / Wye J. Allanbrook -- Editorial theory, musical editions, performance : 19th-century faultlines from a 21th-century perspective / Philip Gossett -- Music and mirrors : misconceptions and misrepresentations / Lee Rothfarb -- Schenker and the twentieth century : A modernist perspective / Robert P. Morgan -- Film theory and music theory : On the intersection of two traditions / David Neumeyer -- New temporal horizons and the theory of music / Lewis Rowell. |
| Abstract |
In this book thirteen distinguished scholars explore the concept of music, music theory, and music literature as mirror images of one another--whether real or distorted. Encompassing the history of music and music theory and literature from the Middle Ages to the present, these essays, in their reconsideration of the relationships among music, theory, and literature, offer new approaches and articulate compelling visions for future research. |
| General note | Collection of articles first presented at a public conference held 11-14 May 2000 at Indiana University in Bloomington. |
| Bibliography note | Includes bibliographical references and index. |
| LCCN | 2002018084 |
| ISBN | 0803232195 (cloth : alk. paper) |
