ECU Libraries Catalog

The science of sound / Thomas D. Rossing, F. Richard Moore, Paul A. Wheeler.

Author/creator Rossing, Thomas D., 1929-
Other author/creatorWheeler, Paul (Paul A.), author.
Other author/creatorMoore, F. Richard author.
Format Book and Print
EditionThird edition.
Publication InfoSan Francisco : Addison Wesley, ©2002.
Descriptionxvi, 783 pages : illustrations ; 24 cm
Subject(s)
Contents Vibrations, waves, and sound. What is sound? What is a sound wave? ; Sources of sound ; Wanted and unwanted sound ; Distance, speed, and velocity ; Graphical representation of motion ; Force and acceleration ; Pressure ; Graphic representation of a sound wave ; Work and energy ; Power ; Units -- Vibrating systems. Simple harmonic motion ; Energy and damping ; Simple vibrating systems ; Systems with two or three masses ; Systems with many modes of vibration ; Vibration in musical instruments ; Complex vibrations: vibration spectra -- Waves. What is a wave? ; Progressive waves ; Impulsive waves, reflection ; Superposition and interference ; Sound waves ; Wave propagation in two and three dimensions ; The Doppler effect ; Reflection ; Refraction ; Diffraction ; Interference -- Resonance. Resonance of a mass-spring vibrator ; Phase of driven vibrations ; Standing waves on a string ; Partials, harmonics, and overtones ; Open and closed pipes ; Acoustic impedance ; Helmholtz resonator ; Singing rods ; More examples of resonance: can a singer break a wineglass? ; Sympathetic vibrations: soundboards -- Perception and measurement of sound. Hearing. Range of hearing ; Structure of the ear ; Signal processing in the auditory system ; Critical bands ; Binaural hearing and localization ; Measuring sensations: psychophysics ; Logarithms in sound and music ; Subjective attributes of sound -- Sound pressure, power, and loudness. Decibels ; Sound intensity level ; Sound pressure level ; Multiple sources ; Loudness level ; Loudness of pure tones: sones ; Loudness of complex tones: critical bands ; Loudness of combined sounds ; Musical dynamics and loudness ; Masking ; Loudness reduction by masking ; Loudness and duration: impulsive sounds and adaptation -- Pitch and timbre. Pitch scales ; Pitch discrimination ; Pitch of pure tones ; Pitch of complex tones: virtual pitch ; Seebeck's siren and Ohm's law: a historical note ; Theories of pitch: place pitch versus periodicity pitch ; Absolute pitch ; Pitch standards ; Timbre or tone quality ; Fourier analysis of complex tones ; Timbre and dynamic effects: envelope and duration ; Vibrato ; Blend of complex tones -- Combination tones and harmony. Linear superposition ; Phase angle ; Combination of two simple harmonic motions ; Pure tones with slightly different frequencies: beats ; The musical staff: musicians' graph paper ; Combination tones ; Modulation of one tone by another ; Other nonlinear effects: aural harmonics and summation tones ; Origin of different tones ; Consonance and dissonance: musical intervals ; Effect of phase on timbre ; Beats of mistuned consonances ; The central nervous system: autocorrelation and cross-correlation ; Cerebral dominance -- Musical scales and temperament. Scale, tuning, temperament, and intonation ; The Pythagorean scale ; Meantone temperament ; The scale of just intonation ; Equal temperament ; Comparison of scales ; Other meantone temperaments ; Intonation -- Musical instruments. String instruments. Construction of the violin ; Vibrations of a plucked string ; Vibrations of a bowed string ; Vibrations of the violin body ; Tuning the top and back plates ; The bridge ; Other bowed string instruments ; Music and physics: a new family of fiddles ; Construction of the guitar ; The guitar as a vibrating system ; Vibrations of the top plate, back plate, and air cavity ; Resonances of the guitar body ; Sound radiation ; The guitar: a developing instrument ; The electric guitar ; Strings, frets, and compensation -- Brass instruments. Instruments of the brass family ; Oscillations in a pipe ; Pressure-controlled valves ; The bell and mouthpiece ; Valves and slides: filling in between the modes ; The French horn ; The trombone ; Tuba, baritone, and fluegelhorn ; The spectra of brass instruments ; Shock waves ; Transients ; Mutes ; Wall material ; Performance technique -- Woodwind instruments. How a pipe-reed system vibrates ; Tone holes ; Bore types ; The clarinet ; Registers and register holes ; Radiated sound ; The double reeds ; The saxophone ; Efficiency and performance technique ; Oscillating air streams and whistles ; The flute ; Other flutes ; The recorder ; Organ pipes -- Percussion instruments. Vibrations of bars ; Rectangular bars: the glockenspiel ; The marimba, xylophone, and vibes ; Mallets ; Chimes ; Triangles ; Vibrations of membranes ; Timpani ; Bass drum ; Snare drum ; Other drums ; Vibrations of plates ; Cymbals ; Gongs and tamtams ; Steelpans ; Sound spectra ; Bells and carillons ; Handbells -- Keyboard instruments. Construction of the piano ; Piano strings ; The tuning of unisons ; Hammer-string interaction ; The soundboard ; Piano sound ; The clavichord ; The harpsichord ; The harp ; The pipe organ: its construction ; Organ pipes ; Pipe scaling ; Sound radiation from flue pipes ; Reed pipes ; Tuning and voicing organ pipes -- The human voice. Speech production. The vocal organs ; The larynx and the vocal folds ; The vocal tract ; Articulation of speech ; Resonances of the vocal tract: formants ; Models of the vocal tract ; Studies of the vocal tract ; Prosodic features of speech -- Speech recognition, analysis, and synthesis. The analysis of speech ; The recognition of vowels ; The recognition of consonants ; Filtered speech and noisy environments ; The synthesis of speech ; Speech coding and compression ; Speech recognition by computers ; Speaker identification by speech spectrograms: voiceprints -- Singing. Formants and pitch ; Differences between spoken and sung vowels ; Formant tuning by sopranos ; Breathing and air flow ; Subglottal pressures in singing ; Registers, voices, and muscles ; Other factors including the spectra of sung notes ; Choir singing ; Popular singing and other styles --
Contents Electroacoustics. Electronic circuits. Direct current ; Electrical energy and power ; Alternating current ; Transformers ; Electrical resonance ; Filters ; Active devices ; Amplifiers ; Operational amplifiers ; Oscillators and function generators ; Power supplies -- Loudspeakers. Loudspeakers as transducers ; Structure of dynamic loudspeakers ; Electromagnetic drivers ; Mechanical and electrical characteristics ; Baffles and enclosures ; Air suspension low-frequency loudspeakers ; Equivalent electrical circuit for a loudspeaker ; Vented boxes: bass-reflex enclosures ; Horn loudspeakers ; Multispeaker systems ; Other loudspeaker types ; Recent trends in loudspeakers ; Loudspeaker efficiency ; Loudspeaker distortion ; Earphones (headphones) -- Microphones, amplifiers, and tuners. Microphones as transducers ; Microphone pickup patterns ; Microphone impedance ; Microphone sensitivity ; Amplifiers ; Distortion ; Amplifier power and distortion ; AM/FM tuners ; Stereo broadcasting ; AV receivers: surround sound -- Digital computers and techniques. What is a computer? ; Binary data ; Number representations ; Organization of a computer ; The CPU ; Memory ; Input and output (I/O) ; Computer buses ; Computer programming ; Digital signals ; Pulse-code modulation ; The sampling theorem ; Quantization ; Quantization error ; Aliasing ; Phase distortion ; Oversampling ; Dithering ; Companding -- Sound recording. The origins of sound recording ; Stereophonic disk recording ; Magnetic tape recording ; Tape speed and frequency response ; Bias and equalization ; Tape noise ; Digital tape recording ; Digital audiotape recording for home use ; Digital multitrack recording ; Hard-disk recording ; Compact disc digital audio ; Recordable CDs ; MiniDiscs ; DVD ; DVD-audio ; Solid-state memory recording -- The acoustics of rooms. Auditorium acoustics. Sound propagation outdoors and indoors ; Direct, early, and reverberant sound ; Direct and early sound: the precedence effect ; Reverberant sound ; Calculation of the reverberation time ; Air absorption ; Criteria for good acoustics ; Concert halls ; Background noise ; Avery Fisher Hall: a case study ; Variable acoustics ; Churches ; Classrooms -- Electronic reinforcement of sound. Sound sources in a room ; Sound fields ; Power considerations ; Loudspeaker placement ; Loudspeaker directivity ; Acoustic feedback ; Equalization ; Time delay ; Enhancement of reverberation ; Microphone placement and mixing ; Reinforcement for the hearing impaired ; Outdoor sound systems -- Small rooms, home listening rooms, and recording studios. Acoustics of small rooms ; Room proportions ; Sound images from multiple sources ; What is high-fidelity sound? ; Single- and multichannel sound-reproducing systems ; Stereophonic sound ; The sound field in listening rooms ; Sound diffusors ; Sound absorption ; Home theaters ; Sound-recording studios ; Control rooms -- Electronic music technology. Electronic music technology and its origins. Contemporary music technology ; Ancient precursors ; Early sound recording ; Understanding electricity ; The age of electronics ; Early electronic music ; Electrical organs ; Modern electronics ; Music technology today -- Analog electronic music. The elements of electronic music ; Musique Concrète: the conceptual basis ; Musique Concrète: the technological basis ; Elektronische Musik: the conceptual basis ; Elektronische Musik: the technological basis ; Tape music ; Early electronic music synthesizers ; The Mark II electronic music synthesizer ; Voltage control ; Modules and patches ; Control voltage characteristics ; Other modules ; Other controllers ; Digital control and the groove system -- Digital audio signal processing. Digital audio-signal processing ; Digital signal processing and mathematics ; The time domain ; The frequency domain ; The discrete Fourier transform ; The fast Fourier transform ; Convolution ; Digital filtering ; The z-transform ; Filter coefficients ; The transfer function ; Poles and zeros ; FIR and IIR filters ; Processing audio signals -- Computer music and virtual acoustics. Computer music ; Sound synthesis methods ; Additive synthesis ; Subtractive synthesis ; Nonlinear synthesis ; Physical modeling synthesis ; Digital music synthesizers ; Musical Instrument Digital Interface (MIDI) ; Samplers ; Real-time software synthesis ; Spatialization ; Digital audio compression ; Digital audio and the internet -- Environmental noise. Noise in the environment. Sound power and mechanical power ; Noise levels ; Sound propagation outdoors ; Flow noise ; Machinery noise ; Indoor noise ; Motor vehicles ; Railroads and aircraft -- The effects of noise on people. Temporary hearing loss ; Permanent hearing loss ; Ear damage ; Hearing protections ; Speech interference ; Interference with sleep ; Other psychological effects ; The physiological effects of noise -- The control of noise. Analyzing a noise problem: source-path-receiver ; Noise regulations ; Exposure to occupational noise ; Product labeling ; Walls and floors ; Barriers, indoors and outdoors ; Enclosures ; Sound absorbers ; Heating and air conditioning noise ; Aircraft noise ; Supersonic aircraft ; Ultrasound and infrasound ; Active noise control.
Abstract This book is widely recognized as the leading textbook in the field. It provides an excellent introduction to acoustics for students without college physics or a strong background in mathematics. In the third edition, the authors update the book to include several new chapters covering important technological developments, especially in the evolving areas of computer music and electroacoustics. New exercises, review questions, and home experiments have also been added to the end of each chapter to help students study the material.
Bibliography noteIncludes bibliographical references and index.
LCCN 2001053994
ISBN0805385657

Available Items

Library Location Call Number Status Item Actions
Music Closed Stacks - Ask at Circulation Desk QC225.15 .R67 2002 ✔ Available Place Hold