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Anthology of post-tonal music : for use with Understanding post-tonal music / Miguel A. Roig-Francolí.

Other author/creatorRoig-Francolí, Miguel A., 1953- compiler.
Other author/creatorRoig-Francolí, Miguel A., 1953- Understanding post-tonal music.
Format Musical Score and Print
Publication InfoBoston : McGraw-Hill, ©2008.
Description1 score (vi, 214 pages) ; 28 cm
Subject(s)
Contents Claude Debussy (1862-1918), "La cathédrale engloutie," no. 10 from Preludes, book I (1910) -- Claude Debussy, "Canope," no. 10 from Preludes, book II (1910-13) -- Claude Debussy, "Sarabande," from Pour le piano (1894-1901) -- Igor Stravinsky (1882-1971), Introduction to Part I, from The Rite of Spring (1913) -- Béla Bartók (1881-1945), "Song of the Harvest," no. 33 from Forty-four Violin Duets (1931) -- Béla Bartók, "Whole-tone Scale," no. 136 from Mikrokosmos, vol. 5 (1932-39) -- Béla Bartók, "Diminished Fifth," no. 101 from Mikrokosmos, vol. 4 (1932-39) -- Béla Bartók, "From the Island of Bali," no. 109 from Mikrokosmos, vol 4 (1932-39) -- Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909) -- Anton Webern, Five Movements For String Quartet, op. 5, III (1909) -- Arnold Schoenberg (1874-1951), "Angst und Hoffen," no. 7 from Book of The Hanging Gardens, op. 15 (1909) -- Alban Berg (1885-1935), "Schlafend trägt man mich," no. 2 from Four Songs, op. 2 (1908-1909) -- Igor Stravinsky (1882-1971), Agnus Dei, from Mass (1944-48) -- Paul Hindemith (1895-1963), Interlude in G, from Ludus tonalis (1942) -- Paul Hindemith, "Vom Tode Mariä I," from Das Marienleben (1923) -- Charles Ives (1874-1954), "The Things Our Fathers Loved," from 114 Songs (ca. 1917) -- Charles Ives, "The Cage," from 114 Songs (1906) -- Ruth Crawford Seeger (1901-1953), Diaphonic Suite no. 4, III (1930) -- Luigi Dallapiccola (1904-1975), "Contrapunctus secundus," no. 5 from Quaderno musicale di Annalibera (1952-53) -- Luigi Dallapiccola, "Quartina," no. 11 from Quaderno musicale di Annalibera (1952-53) -- Anton Webern (1883-1945), "Wie bin ich froh," no. 1 from Drei Lieder, op. 25 (1935) -- Anton Webern, Piano Variations, op. 27, II (1935-36) -- Arnold Schoenberg (1874-1951), Klavierstück, op. 33a (1929) -- Igor Stravinsky (1882-1971), "Lacrimosa," from Requiem Canticles (1966) -- Pierre Boulez (b. 1925), Structures Ia, mm. 1-39 (1952) -- Milton Babbitt (b. 1916), Composition for Twelve Instruments, mm. 1-26 (1948) -- Olivier Messiaen (1908-1992), Turangalîla Symphony, Introduction, reh. 12-22 (1946-48) -- Elliott Carter (b. 1908), String Quartet no. 2, I, mm. 35-134 (1959) -- Karlheinz Stockhausen (b. 1928), Stimmung (three pages: Formschema, one sample page of Magische Namen, and one sample page of Modelle) (1968) -- John Cage (1912-1992), Winter Music (one page) (1957) -- Witold Lutoslawski (1913-1994), Jeux vénitiens, I (1960-61) -- György Ligeti (1923-2006), Ramifications, mm. 1-44 (1968-69) -- George Rochberg (1918-2005), Music for the Magic Theater, reh. 1-17 (1965) -- Luciano Berio (1925-2003), Sinfonia, III ("In ruhig fliessender Bewegung"), mm. 1-120 (to reh. F) (1968) -- George Crumb (b. 1923), "Dream Images (Love-Death Music)," no. 11 from Makrokosmos, vol. 1 (1972-73) -- Steve Reich (b. 1936), Violin Phase (1967) -- Louis Andriessen (b. 1939), De Staat, mm. 1-161 (1972-76) -- Arvo Pärt (b. 1935), Cantus (1977) -- Augusta Read Thomas (b. 1964), Spring Song, mm. 1-41 (1995) -- Thomas Adès (b. 1971), Asyla, II, mm. 1-43 (1997) -- Kaija Saariaho (b. 1952), Ariel's Hail (2000).
Abstract This collection of 41 selections and excerpts represents a wide range of music from the 20th century. Designed for use with Understanding post-tonal music by the author, it can also stand alone as an anthology for study and analysis in other music theory courses.
Bibliography noteIncludes bibliographical references (pages 213-214).
LCCN 2010560304
ISBN9780073325026
ISBN0073325023

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