| Series |
Library of the written word, 1874-4834 ; volume 44
Library of the written word ; 44. ^A767069
|
| Contents |
Introduction. The materiality of the book and Gerard Genette's thresholds ; Word-image intermediality ; Art journals in the cultural context and structure of the book -- When Russia learned to reproduce art. Early Russian periodical design ; The popular illustrated press in the nineteenth century ; Art periodicals in imperial Russia ; The "age of mechanical reproduction" in Russia: reproduction techniques in historical perspective ; The periodical personalised: cover pages and binding ; The periodical press and censorship -- World of Art and the origins of the print revival in late imperial Russia. The World of Art in scholarship ; Emergence of the World of Art in the cultural-historical context ; The art periodical press before the World of Art: art and art industry ; Abramtsevo and Talashkino, the arts and crafts movement ; The modern style ; The "circle" of art-lovers and the emergence of the World of Art ; Vladimir Stasov vs. Sergei Diaghilev ; Editorial board: Sergei Diaghilev vs. Alexandre Benois and other participants of the World of Art ; The patrons of the World of Art and the journal's closure ; The editorial mission statement ; The World of Art and its paratextual qualities: materiality and the visual in the context of the editorial mission statement and other texts ; A European type journal ; The title and logo. |
| Bibliography note | Includes bibliographical references (pages 264-289) and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2015025384 |
| ISBN | 9789004269262 (hardcover) |
