| Uniform title | Oxford history of western music. 1, Earliest notations to the sixteenth century |
| Series |
The Oxford history of western music ; v.1
|
| Contents |
The curtain goes up -- New styles and forms -- Retheorizing music -- Music of feudalism and fin' amors -- Polyphony in practice and theory -- Notre Dame de Paris -- Music for an intellectual and political élite -- Business math, politics, and Paradise : the ars nova -- Machaut and his progeny -- "A pleasant place" : music of the trecento -- Island and mainland -- Emblems and dynasties -- Middle and low -- Josquin and the humanists -- A perfected art -- The end of perfection -- Commercial and literary music -- Reformations and counter reformations -- Pressure of radical humanism. |
| General note | Originally published as: Oxford history of western music. Vol. 1, Earliest notations to the sixteenth century. Oxford ; New York : Oxford University Press, 2005. |
| Bibliography note | Includes bibliographical references (p. 855-864) and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2008045028 |
| ISBN | 9780199842148 (alk. paper) |
| ISBN | 9780195384819 |
