| Series |
Speculum musicae ; volume XXXI
Speculum musicae ; v. 31. ^A533566
|
| Contents |
Saint-Saëns the Dramatist / Hugh Macdonald -- Camille Saint-Saëns and Staging History: Henry VIII and Ascanio at the Opéra / Erin Brooks -- Saint-Saëns e l'esotismo 'ellenico' di Déjanire / Mara Lacchè -- Camille Saint-Saëns et l'Opéra de Paris (1915-1945), un étendard de la musique française / Claire Paolacci -- Saint-Saëns'-s Messe de Requiem: un nuevo modelo religioso en la tradición romántica del género / Sara Ramos Contioso -- Saint-Saëns, Criticism, and Catholicism / Megan Sarno -- "La chimère de la pureté du style et de la perfection de la forme" : Saint-Saëns und die grossen Formen der Instrumentalmusik / Michael Stegemann -- Fossili e rovine: trattamenti metamorfici nel Quartetto per archi e pianoforte in Mi maggiore Op. Post. di Camille Saint-Saëns / Elisabetta Righini -- Les Deux Trios avec piano de Camille Saint-Saëns (1864-1892): pour une filiation française? / Julie Oustinoff -- Lisztian Approaches in the Instrumental Works of Camille Saint-Saëns: 'Thematic Transformation' and the Symphony No. 3 in C Minor, Op. 78 ('Organ') / Rohan H. Stewart-MacDonald -- Camille Saint-Saëns' Piano Technique: A Retrospectively Constituted Object? / Rémy Campos -- Saint-Saëns, Proto-Impressionism, and 'le jeu perlé' / Geoffrey Burleson -- Les Œuvres pour harpe de Camille Saint-Saëns et ses relations professionnelles avec les harpistes à la lumière de la correspondance / Temina Cadi Sulumuna -- L'esotismo musicale di Saint-Saëns come diario di bordo tra vita e opera / Alberto Massarotto -- Camille Saint-Saëns en Égypte: les sens du voyage (1890-1914) / Stéphane Leteuré -- Camille Saint-Saëns e l'Italia: analisi di un rapporto (attraverso i carteggi) / Oreste Palmiero -- La primera visita de Saint-Saëns a España en 1880: el descubrimiento del pianista virtuoso / José Ignacio Suárez García -- A Relationship Spanning more than 40 Years: The Case of Portugal / David Cranmer -- Saint-Saëns et ses œuvres littéraires sur le Japon / Mitsuya Nakanishi -- Saint-Saëns, presidente della Société des instruments anciens / Antonio Ferrara. |
| Abstract |
French composer Camille Saint-Saëns (1835-1921) is certainly one of the most fascinating and important figures in the music history. French composer Camille Saint-Saëns (1835-1921) is certainly one of the most fascinating and important figures in the music history of the 19th and early 20th century. World-renowned for "The Carnival of the Animals", his oeuvre encompasses more than 600 compositions, many of them key works for the respective musical genre. The present volume brings together 21 articles: they investigate not only Saint-Saëns' compositions from operas and other stage works to his chamber and piano music and to his recordings, but also his writings and his many travels all over the world, which provided the basis for the many aspects of exoticism and orientalism of his music. The presentation of these essays can be seen as a seminal building block for further studies, also in view of the centenary of his death to be commemorated in 2021. Michael Stegemann is Professor of Historical Musicology at the Technische Universität Dortmund. Stegemann was appointed Chevalier de l'ordre des Arts et des Lettres in 2016 for his dedication to French music. For more than 40 years he has placed a particular focus on the life and works of Camille Saint-Saëns. Since 2016, he is Chief Editor of Saint-Saëns' Œuvres instrumentals completes published by Bärenreiter in 36 volumes." |
| Bibliography note | Includes bibliographical references and index. |
| ISBN | 250358070X |
| ISBN | 9782503580708 |
