| Contents |
Maverick men in ballet: rethinking the making it macho strategy / Jennifer Fisher -- What we know about boys who dance: the limitations of contemporary masculinity and dance education / Doug Risner -- Is dance a man's sport too? The performance of athletic-coded masculinity on the concert dance stage / Maura Keefe -- Transcending gender in ballet's lines / Jill Nunes Jensen -- The performance of unmarked masculinity / Ramsay Burt -- Pricked dances: the spectator, dance, and masculinity in early 18th-century England / John Bryce Jordan -- Gender trumps race? Cross-dressing Juba in early blackface minstrelsy / Stephen Johnson -- Ausdruckstanz, workers' culture, and masculinity in Germany in the 1920s and 1930s / Yvonne Hardt -- Choreographing masculinity: hypermasculine dance styles as invented tradition in Egypt, Iran, and Uzbekistan / Anthony Shay -- Native motion and imperial emotion: male performers of the orient and the politics of the imperial gaze / Stavros Stavrou Karayanni -- Ibrahim Farrah: dancer, teacher, choreographer, publisher / Barbara Sellers-Young -- From gynemimemis to hypermasculinity: the shifting orientations of male performers of south Indian court dance / Hari Krishnan. |
