| Series |
Oxford handbooks
Oxford handbooks.
|
| Contents |
Introduction / Patricia Hall. Part I. Censorship and religion. In the quest of gallican remnants in Gregorian manuscripts: archaisms in the masses for the holy cross in aquitanian chant books / Luisa Nardini -- The English Kyrie / Alejandro Planchart -- Government interference as a shaping force in Elizabethan printed music / Jeremy L. Smith -- The Sounds of Indigenous Ancestors: Music, Corporality, and Memory in the Jesuit Missions of Colonial South America / Guillermo Wilde -- "We should not sing of heaven and angels": performing western sacred music in Soviet Russia, 1917-67 / Pauline Fairclough -- A strident silencing: the ban on Richard Wagner in Israel / Na'ama Sheffi. |
| Contents |
Part II. Censorship During the Enlightenment. Harpocrates at work: how the god of silence protected eighteenth-century French iconoclasts / Hedy Law -- Sex, politics, and censorship in Mozart's Don Giovanni / Don Juan / Martin Nedbal -- The depoliticized drama: Mozart's Figaro and the depths of enlightenment / Laurenz Lèutteken -- The curious incident of Fidelio and the censors / Robin Wallace. |
| Contents |
Part III. Censorship in transitional governments. "Years in prison": Giuseppe Verdi and censorship in pre-unification Italy / Francesco Izzo -- Micronarratives of music and (self)censorship in Socialist Yugoslavia / Ana Hofman -- Popular music as a barometer of political change: evidence from Taiwan / Nancy Guy -- Music, power and censorship in Vietnam since 1954 / Barley Norton. |
| Contents |
Part IV. Censorship in totalitarian states. Miguel âAngel Estrella (classical) music for the people, dictatorship, and memory / Carol Hess -- A case study of Brazilian popular music and censorship: Ivan Lins' music during dictatorship in Brazil / Thais Lima Nicodemo -- Alban Berg's "Guilt" by Association / Patricia Hall -- Slow dissolves, full stops, and interruptions: Terezin, censorship, and the summer of 1944 / Michael Beckerman -- Selling Schnittke:late Soviet censorship and the Cold War marketplace / Peter J. Schmelz -- Curb that enticing tone: music censorship in the PRC / Hon-Lun Yang. |
| Contents |
Part V. Censorship in democracies. Censorship and the politics of reception: the filmic afterlife of Marc Blitzstein's The Cradle Will Rock / David C. Paul -- Pete Seeger's project / Dick Flacks -- Government censorship and Aaron Copland's Lincoln Portrait during the second red scare / Jennifer DeLapp Birkett -- "A day in the life": The Beatles and the BBC, May 1967 / Gordon Thompson. |
| Contents |
Part VI. Censoring race, gender and sexual orientation. Composing in black and white: code-switching in the songs of Sam Lucas / Sandra Jean Graham -- Exploring transitions in popular music: censorship from apartheid to post-apartheid South Africa / Michael Drewett -- Rap music and rap artists revisited: how race matters in the perception of rap music / Travis L. Dixon -- Deaths and silences: coding and defiance in music about AIDS / Paul Attinello -- Teaching silence in the twenty-first century: where are the missing women composers? / Roxanne Prevost and Kimberly Francis -- Veiled voices: music and censorship in post-revolutionary Iran / Ameneh Youssefzadeh. |
| General note | Series from book jacket. |
| Bibliography note | Includes bibliographical references and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2017034683 |
| ISBN | 9780199733163 hardcover alkaline paper |
| ISBN | oxford handbooks electronic book |
