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Introduction: General observations on keyboard instruments and keyboard muisc -- The evolution of keyboard instruments -- Part I. Clavier music before 1500: Antiquity and early middle ages -- The fourteenth century. The Robertsbridge fragment ; The Codex Faenza ; An English Felix namque -- The fifteenth century. Sources before 1450. Liturgical compositions ; Song settings ; Preludes ; Theory of organ compositions -- Paumann's Fundamentum organisandi ; The Buxheim organ book -- Part II. The sixteenth century. General observations. Keyboard composers of the sixteenth century -- Liturgical organ music. Germany: Hofhaimer, Schlick, Buchner and his contemporaries, the Protestant organ chorale ; Poland ; France ; Italy. Marco Antonio Cavazzoni and his contemporaries, Girolamo Cavazzoni, Andrea Gabrieli and Merulo, Valente and Rodio ; Spain. Cabezón, Bermudo, Palero, and others ; England. Redford, Preston and his contemporaries, Tallis, Blitheman, and their contemporaries, Byrd -- Imitative forms. The ricercar. Marco Antonio Cavazzoni and Buus, Andrea Gabrieli, Padovano, Bertoldo, and Merulo, Rodio and Valente ; The tiento. Cabezon, Bermudo, Vila, de Soto, Palero, and Carreira ; Canzona and fugue. Marco Antonio Cavazzoni and Girolamo Cavazzoni, Andrea Gabrieli, Bertoldo, and Merulo, Pellegrini, the development in Germany ; The fantasy. Germany, Italy, Spain, and France -- Free forms. The prelude in Germany, France, and Poland ; The Italian intonations ; The English prelude ; The toccata from Andrea Gabrieli to Merulo -- Dance music. The Kotter and Kleber tablatures ; Italian keyboard dances to 1550 ; Attaingnant's dance collection ; The dances in the Lublin tablature ; The dance collections by Facoli and Radino ; German sources of the late 16th century ; English keyboard dances before Byrd ; Byrd's pavanes and galliards ; Allemande, courante, and gigue -- Variation forms. The Spanish diferencias ; The passamezzo variations ; Valente's variation works ; Byrd's variation works ; Grounds -- Intabulations -- Part III. The first half of the seventeenth century. England. Morley and Mundy ; Philips ; Farnaby ; Bull ; Cosyn, Carleton, Tisdall, and others ; Tomkins ; Gibbons -- The Netherlands. Sweelinck. Fantasies ; Toccatas ; Organ chorales ; Variations on secular themes ; Speuy and Cornet ; The Liber cruciferorum -- Germany. North Germany. The Celle tablature (Johann Stephan), Hieronymus Praetorius, Michael Praetorius, Jacob Praetorius, Samuel Scheidt (Fantasies, fugues, and toccatas, chorale settings, variations on secular themes), Scheidemann, Abel, Siefert, P. Hasse the Elder, Düben, Schildt, and others, Delphin Strunck, Morhardt, Bahr, Kniller, and Woltmann, the anonymous repertoire ; Central Germany. Michael and Klemm, Kindermann and Schedlich ; South Germany: Luython and Adam Steigleder, Hassler, Erbach, Von der Hofen and Holtzner, Johann Ulrich Steigleder -- Italy. First generation, North Italy. Giovanni Gabrieli, Antegnati and Cavaccio, Banchieri, Cima and Bottazzi, Corradini and Picchi ; First Generation, South Italy. Ercole Pasquini, Macque, Stella, Lambardo, and others, Mayone, Trabaci ; Frescobaldi. Primo libro delle fantasie (1608) ; Recercari et canzoni (1615) ; Toccate e partite, primo libro (1615) ; Primo libro di capricci (1624) ; Secondo libro di toccate (1627) ; Aggiunta (1637) ; Fiori musicali (1635) ; The posthumous canzona print and the manuscript tradition -- Second generation. Merula, Pesenti, Michelangelo Rossi, Salvatore, Del Buono, Croci and Fasolo, the anonymous repertoire -- France. Titelouze ; Racquet, Richard, and anonymous organ music ; The early clavecinists -- Spain and Portugal. Clavijo, Peraza, and Lacerna ; Aguilera de Heredia ; Coelho ; Correa de Arauxo ; The manuscript tradition ; Jimenez ; Perandreu and others ; Bruna -- Part IV. The second half of the seventeenth century. Germany. South Germany. Froberger (organ works, suites), Ebner and Kerll, Poglietti, Techelmann, Richter and Reutter, Nicolaus Adam Strunck and others, Scherer, Provintz, and Spiridio, Georg Muffat, Speth, Fux, Murschhauser, Fischer ; North Germany. Tunder, Weckmann, Wilhelm Karges, Lorentz, N. Hasse, and Kortkamp, Reincken, Flor, Radek, Bölsche, Erben, and Fabricius, Buxtehude (free organ works, chorale arrangements, suites and variations), Heidorn, Kneller, Ritter, and Werckmeister, Lübeck, Böhm (free compositions, chorale arrangements, suites), Hanff, Bruns, P. Hasse the Younger, Erich, Leiding, Brunckhorst, and Saxer ; Central Germany. Heinrich Bach, Ahle, Briegel, Wecker, and Keller, Johann Christoph Bach and Johann Michael Bach, Alberti, Kittel, Pestel, Schultheiss, and others, Pachelbel (free organ works, magnificat fugues, chorale settings, secular compositions), Johann Philipp Krieger and Johann Krieger, Kuhnau, Zachow, Buttstett, Witte, A.N. Vetter, D. Vetter, Armsdorff, and Beyer -- Italy. Giovanni and Storace ; Strozzi and Pistocchi ; Battiferri and Fontana ; The Bolognese circle ; Bernardo Pasquini ; Alessandro Scarlatti -- France. Clavecin music. Chambonnières, Dumont, Louis Couperin, J. de la Barre, Hardel, and Thomelin, Lebègue, D'Anglebert, Marchand and Le Roux ; Organ music, Types of French organ music, Nivers, Lebègue, Gigault, Raison, Boyvin, Jullien and Chaumont, Franc̥ois Couperin, Grigny, Dandrieu, Marchand, Corrette, and Guilain, Du Mage and Clérambault, the anonymous repertoire -- England. Harpsichord music in the mid- and late 17th century ; Organ music in the mid- and late 17th century ; Blow ; Purcell ; Clarke and Croft -- The Netherlands. Van Noordt ; Steenwick and others ; Kerckhoven -- Spain and Portugal. Cabanilles ; Three Portuguese manuscripts ; The collections of Martin y Coll. |
