The cantata in Nuremberg during the seventeenth century

The cantata in Nuremberg during the seventeenth century / by Harold E. Samuel.

Author/creator	Samuel, Harold E.
Format	Book and Print
Publication Info	Ann Arbor, Mich. : UMI Research Press, ©1982.
Description	xii, 536 pages : illustrations, music ; 24 cm.
Subject(s)	Cantatas--Germany --Nuremberg --17th century --History and criticism.

Series	Studies in musicology ; no. 56 Studies in musicology ; no. 56. ^A163772
Contents	Nuremberg and its composers. Nuremberg as a music center ; Paul Hainlein ; Johann Andreas Herbst ; Johann Erasmus Kindermann ; Johann Krieger ; Johann Philipp Krieger ; Johann Lohner ; David Schedlich ; Heinrich Schwemmer ; Sigmund Theophil Staden ; Georg Caspar Wecker -- The cantatas and their texts. The term "Cantata" ; Biblical cantatas ; Chorale cantatas ; Ode cantatas ; Biblical-ode cantatas ; Other mixed types ; Transitional cantatas ; Madrigal cantatas ; Mixed madrigal cantatas ; A summary of the bibliographical data -- Concertato style. Etymology of the term "Concerto" ; Two species of Concertato style ; Solo Concertato style in the choral cantatas -- Basso continuo. Three types of basso continuo in Italy around 1600 ; Basso continuo in the Nuremberg cantatas ; The use of tablature -- The relation of text and music (Musica Poetica). The term "Musica Poetica" ; The Musica Poetica of Johann Andreas Herbst (1643) ; Musical-rhetorical figures ; An analysis of Musica Poetica in a composition of Heinrich Schutz ; The relation of text and music in Nuremberg cantatas -- The style of the cantatas. The influence of environment ; General stylistic traits ; The choral movements ; The solo movements ; The instrumental movements and accompaniments.
Bibliography note	Includes bibliographical references (pages 321-532) and index.
LCCN	82001856
ISBN	0835713059

Library	Location	Call Number	Status	Item Actions
Music	Closed Stacks - Ask at Circulation Desk	ML275.8.N9 S2 1982	✔ Available	Place Hold