| Contents |
Criticism and the critic : queer perspectives on the comedia -- Another country : Lope de Vega's La hermosa Ester -- Performativity and cross-dressing : Calderón's Las manos blancas no ofenden -- The failures of heterosexuality : marriage as problematic in three plays by Calderón -- Honor and the body : masculinity and the fear of penetration -- Homo/hetero/social/sexual: Gila in Vélez de Guevara's La serrana de la Vera -- Comedy, foppery, camp : Moreto's El lindo don Diego and Sor Juana's Los empeños de una casa -- Gender, genre, and class: the theater of Juan Rana -- Religion, the body, and identity : Cervantes's Algerian plays -- Gay pornography and Calderón's El príncipe constante -- Ten final observations. |
