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Contents |
Byrd's early training -- Some preliminary concepts -- Key and tonality -- Cadences -- Melodic range -- Melodic shape -- Vocal clefs -- Choice of key -- Tonal design -- Conclusions. |
Abstract |
The author examines the extent to which continental modal theory may have influenced the work of English composer William Byrd. |
Bibliography note | Includes bibliographical references (pages 135-145) and indexes. |
LCCN | 2004026337 |
ISBN | 0754634418 (alk. paper) |