| Contents |
Horror film and the apparatus of cinema / Steffen Hantke -- Spectral vampires : Nosferatu in the light of new technology / Stacey Abbott -- Imaging the abject : the ideological use of the dissolve / Claire Sisko King -- The camera's eye : peeping tom and technological perversion / Catherine Zimmer -- A film is being beaten : notes on the shock cut and the material violence of horror / David S. Diffrient -- The horror "event" movie : The mummy, Hannibal, and Signs / Philip L. Simpson -- "There is only one" : the restoration of the repressed in The exorcist : the version you've never seen! / Michael Arnzen -- Proliferating horrors : survival horror and the resident evil franchise / Richard J. Hand -- Simulating torture, documenting horror : the technology of "nonfiction filmmaking" in Devil's experiment and Flowers of flesh and blood / Jay McRoy -- A nasty situation : social panics, transnationalism, and the video Nasty / James Kendrick -- From SBIGs to Mildred's inverse law of trailers : skewing the narrative of horror fan consumption / K.A. Laity -- Horror meets noir : the evolution of cinematic style, 1931-1958 / Blair Davis -- Queering consumption and production in What ever happened to Baby Jane? / Lorena Russell. |
