| Contents |
Henry James on stage : 'that sole intensity which the theatre can produce' / Sheldon M. Novick -- 'The master's voice' : Henry James and opera / Michael Halliwell -- Henry James : varieties of cinematic experience / Philip Horne -- The end of embroidery : from Washington Square to The heiress / Peter Swaab -- Ceremonies of innocence : men, boys and women in The turn of the screw / Michelle Deutsch -- Frank and Jim go boating : Henry James and the French new wave / David Van Leer -- Black and white and shades of grey : ambiguity in The innocents / Val Wilson -- Enduring ephemera : James Cellan Jones, Henry James and the BBC / Neil Berry -- Framing the 'sketch' : Bogdanovich's Daisy Miller / David Cross -- Marriage, influence and deception in Merchant-Ivory's The Europeans and The Bostonians / Elizabeth Brake -- 'Exquisite taste' : the recent Henry James films as middle-brow culture / Mark Eaton -- The consciousness on the cutting room floor : Jane Campion's The portrait of a lady / Michael Anesko -- For mature audiences : sex, gender and recent film adaptations of Henry James's fiction / John Carlos Rowe -- How to do things to words : making language immaterial in The wings of the dove / Marcia Ian -- Portraits of Lady Chatterleys : Jamesian triangles, Lawrencian eros and the triumph of cinematic adaptation in The wings of the dove / Richard A. Kaye. |
