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Before 1600. "Kyrie from Missa "De Angelis" (Mass VIII) -- "Victimae paschali laudes" sequence -- "Alma redemptoris mater" antiphon -- "Ave regina celorum" antiphon -- "Veni sponsa Christi" antiphon -- "Pange lingua gloriosi" hymn -- "Ce fue en mai" / Moniot d'Arras, trouvère, 13th century -- "Nach der senenden claghe muz ich singhen" ; "Ic parrere di dorch mine trowe" / Wizlaw von Rugen, Minnesinger (1268-1325) -- Motet "Ave, regina celorum/Alma Redemptoris mater/Alma": from Montpellier Codex, also #5 in Bamberg manuscript / Anonymous, 13th century -- "Foy porter": fourteenth-century virelai (only first portion of text given) ; "Bone pastor Guillerme/Bone pastor, qui pastores/Bone pastor:" isorhythmic motet (1324) / Guillaume de Machaut -- "Giovine vagha, i' non senti": fourteenth-century ballata / Francesco Landino -- "Ave maris stella": setting of a plainsong for the office / John Dunstable (c. 1380-1453) -- "Bon jour, bon mois": Burgundian chanson (mid-1400s) / Guillaume Dufay -- "L'homme armé": fifteenth-century melody -- "Missa L'homme armé": kyrie (c. 1455-60) / Guillaume Dufay -- "Missa pange lingua": kyrie (early 1500s) ; "Alma redemptoris Mater/Ave regina coelorum": late fifteenth-century motet ; "Vive le roy": instrumental canzona (c. 1500) / Josquin des Prez -- "Justus cor suum": Cantiones Duarum Vocum, Magnum Opus Musicum vol. I, late sixteenth-century motet ; "Cantate Domino": Cantiones Trium Vocum, Magnum Opus Musicum vol. I, late sixteenth-century motet / Orlando di Lasso -- "Veni sponsa Christi": sixteenth-century motet ; "Missa Veni sponsa Christi": kyrie, late sixteenth-century mass movement / Giovanni Pierluigi da Palestrina -- "Le triste cueur que avec vous demeure": sixteenth-century French chanson / Jacob Arcadelt (c. 1505-1560) -- First Booke of Songs or Ayres of foure parts, with Tableture for the Lute (1597). "Come, heavy sleep" / John Dowland (1562-1626) -- "Belta, poi che t'assenti": Madrigals Book VI (1611) / Carlo Gesualdo -- Sixteenth-century bass patterns -- "Greensleeves": traditional sixteenth-century song -- Pass'e mezzo per b molle in tre modi (1593) ; Tre parti di gagliarde del prescritto pass'e mezzo / Giovanni Terzi -- 1660-1760. "Pur ti miro": duet from L'incoronazione di Poppea (1642) / Claudio Monteverdi -- Rondo: from Abdelazer, incidental music for a play ; Chaconne: from King Arthur (produced 1691) / Henry Purcell -- Sonata V, op 2: Allemande (1685) ; Sarabande / Arcangelo Corelli -- Pièces de clavecin, premier livre, deuxième ordre, Rigaudon (1713) / Francois Couperin -- Fugue in E major: from Ariadne musica (published 1702) / J.K.F. Fischer -- Two-part invention in B-flat major no. 14 S.785 (c. 1720) ; Three-part sinfonia in F minor no. 9 S.795 (c. 1720) ; Well-Tempered Clavier, Book I (1722). Fugue XV in G major: S.860 ; Fugue XXI in B-flat major: S.866 -- The Well-Tempered Clavier, Book II (1744). Fugue IX in E minor: S.878 ; Fugue XIV in F# minor: S.883 ; Prelude XVI in G minor: S.885 [two excerpts] -- Goldberg Variations, S.988 (1742). Aria ; Variation 8 ; Variation 15 ; Variation 18 ; Variation 30 -- Suite for Violoncello no. 1 in G major, S.1007. Courante ; French Suite in E major, no. 6 S.817. Sarabande ; Gavotte / J.S. Bach -- Excerpt from Suite in B-flat major (c. 1733) ; Chaconne in G major: Variations 1, 4, 62 ; Serse (1738). "L'amerò?... È gelosia" -- Concerto grosso op. 6 no. 2 in F major (1739-40). Largo ; Allegro, ma non troppo / G.F. Handel -- Sonata K.412 (L. 182) in G major / Domenico Scarlatti -- "Vom Himmel hoch" ("From heaven above") / Melody: Martin Luther, 1539 ; Text: Martin Luther, 1535 ; Translation: Catherine Winkworth, 1863 ; Harmonization: Bennett/Goldschmidt Chorale Book -- "Vom Himmel hoch" ("From heaven above") / Harmonization by Samuel Scheidt (1587-1654) from Das Görlitzer Tabularturbuch (1650) -- "Wachet auf!" ("Wake, awake") / Melody and text: Philipp Nicolai, 1599 ; Translation: Catherine Winkworth, 1863 ; Harmonization: Bennett/Goldschmidt Chorale Book -- "Wachet auf!" ("Wake, awake") / Harmonization by J.S. Bach, 371 #179 -- "Nun danket alle Gott" ("Now thank we all our God") / Melody: Johann Crüger (1598-1662), published in Johann Crüger's Geistliche Kirchenmelodien (Berlin, 1649) ; Text: Martin Rinkart, 1636 ; Translation: Catherine Winkworth, 1863 ; Harmonization: Bennett/Goldschmidt Chorale Book -- "Nun danket alle Gott" ("Now thank we all our God") / Harmonization: J.S. Bach, 371 #32 -- "Jesu, meine Freude" ("Jesu, priceless treasure") / Melody: Johann Crüger, 1653 ; Text: Johann Franck, 1653 ; Translation: Catherine Winkworth ; Harmonization: Johann Pachelbel (1653-1706) -- "Jesu, meine Freude" ("Jesu, priceless treasure") / Harmonization by J.S. Bach in Motet no. 3, 371 ; Translation: Catherine Winkworth, 1869 -- "Wie schön leuchtet der Morgenstern" ("How lovely shines the morning star!") / Melody: P. Nicholai, 1599? ; Text: Philipp Nicolai, 1599 ; Translation: anonymous (Moravian hymn book, 1890) ; Harmonization: J.S. Bach, 371 #278 -- "Ach bleib bei uns, Herr Jesu Christ" ("Lord Jesus Christ, with us abide") / Melody: anonymous, 1589 ; Hymn text: Nikolaus Selnecker, 1611 ; Translation: Benjamin Hall Kennedy, 1863 ; Harmonization: J.S. Bach, 371 #177 -- "In dulci jubilo" / Melody: anonymous, 1535 ; Hymn text: anonymous, 14th or 15th century ; Translation: Catherine Winkworth, 1869? ; Harmonization: J.S. Bach, 371 #143 -- "Sei grüsset" ("Hear my pleading") / Melody: Gottfried Vopelius, 1682 ; Figured bass: J.S. Bach -- "Sei grüsset, Jesu gütig" (Hear my pleading, Jesu, treasure") / Melody: Gottfried Vopelius, 1682 ; Text: Christian Keimann, 1663 ; Translation: Robert W. Ottman, 1963 ; Harmonization: J.S. Bach, 371 #172 -- "So gibst du nun, mein Jesu, gute Nacht" ("O must thou, my Jesus, say good night") / Melody: anonymous, 1694 ; Figured bass: J.S. Bach -- "O Jesulein süss" ("O sweet Christ Jesus") / Figured bass: J.S. Bach -- "Nun komm, der Heiden Heiland" ("Now come, thy saviour of the race") / Melody: anonymous, 1524 ; Text: Martin Luther, 1524 (Enchiridion, Erfurt, 1524) ; Harmonization: Samuel Scheidt (1587-1654) from Das Görlitzer Tabulaturbuch (1650) -- "Nun komm, der Heiden Heiland": organ prelude S.659 / J.S. Bach -- "Christ ist erstanden" -- "Christ ist erstanden" / (Luther, 1524) -- "Christ lag in Todesbanden": cantata no. 4, verses 3, 5, and 7 / J.S. Bach -- |
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1760-1830. Sonata III in F minor (1781): first movement, allegro assai / C.P.E. Bach -- Menuet and trio: from Divertimento (partita) in C major, Hoboken XVI, 1 (c. 1760) ; String quartet in F minor, op. 20 no. 5: fourth movement (finale) (1772) ; String quartet in G major, op. 54 no. 1: fourth movement (finale) (1788) ; Symphony no. 100 in G major ("Military"): first movement (1794) / F.J. Haydn -- "In quali eccessi, o Numi... Don Giovanni. "Mi tradi quell' alma ingrata" (1787): recitative and aria ; Sonata in F major, K.280 (E.189e): second movement (1774) ; Sonata in D major, K.284 (E.205b): first movement (1775) ; String quartet in D minor, K.421 (E.417b): fourth movement (1783) ; Concerto for horn and orchestra in E-flat major, K.447 (E.447): first movement (1783) / W.A. Mozart -- Piano sonata in E major, op. 14 no. 1: first movement, second movement, third movement (c. 1799) ; String quartet in G major, op. 18 no. 2: second movement (1798-1800) ; Fifteen variations (with fugue) in E-flat major, op. 35 ("Eroica"): introduction, theme, and variations I-VIII (1802-3) ; Piano sonata in F minor ("Appassionata"), op. 57: first movement (1804) ; Piano sonata in E-flat major, op. 81a: first movement (1809) ; String quartet in B-flat major, op. 130: first and second movements (1825) / Ludwig van Beethoven -- Waltz, op. 9 no. 14 (1816-21) ; Waltz, op. 9 no. 29 (1816-21) ; Die schöne Müllerin (1823). "Am Feierabend" ("Evening leisure") ; "Der Müller und der Bach" ("The miller and the brook") -- Entr'acte: from Incidental music for the play Rosamunde (1823) / Franz Schubert -- 1830-1900. Symphonie fantastique. First movement ("Dreams-Passions"), opening (1830) ; Second movement ("A ball"), opening (1830) / Hector Berlioz -- Scenes from childhood, op. 15 (1838). "Wichtige Begebenheit" ("An important event"): no. 6 ; "Der Dichter spricht" ("The poet speaks"): no. 13 -- Carnaval, op. 9 (1834-35). "Pierrot": no. 2 ; "Arlequin": no. 3 ; "Valse noble": no. 4 -- Myrthen, op. 25 no. 1 (1840). "Widmung" ("Dedication") ; Dichterliebe, op. 48 (1840). "Im wunderschönen Monat Mai" ("In the beautiful month of May"): no. 1 ; "Aus meinen Tränen spriessen" ("From my tears spring forth"): no. 2 ; "Am leuchtenden Sommermorgen" ("On a bright summer morning"): no. 12 / Robert Schumann -- Elijah (1846). "Help, Lord!" / Felix Mendelssohn -- Preludes op. 28 (1836-39). Prelude no. 20 in C minor ; Prelude no. 21 in B-flat major ; Prelude no. 22 in G minor -- Mazurka in A minor: op. 7 no. 2 (1830-31) ; Mazurka in G major: op. 67 no. 1 (1835) ; Nocturne in C# minor: op. 27 no. 1 (1834-35) / Frédéric Chopin -- Tristan und Isolde (1857-59). Prelude to and opening of Act I ; Prelude to and opening of Act III / Richard Wagner -- Aida (1871). "Celeste Aida" / Giuseppe Verdi -- Intermezzo in A major: op. 76 no. 6 (c. 1878) ; Intermezzo in A minor: op. 76 no. 7 (c. 1878) ; Romance in F major: op. 118 no. 5 (1893) ; Variations and fugue on a theme by Handel, op. 24 (1861). Theme and variations 1-8 ; Violin sonata in A major: op. 100, first movement (1886) / Johannes Brahms -- Pictures at an Exhibition (1874). "Promenade" ; "The Great Gate of Kiev" / Modest Mussorgsky -- Italienisches Liederbuch (published 1892). "Der Mond hat eine schwere Klag' erhoben" ("The moon has been seriously complaining") ; Gedichte von Eduard Mörike (1888-89). "Er ist's" / Hugo Wolf -- Since 1900. Preludes, Book II (1910-13). "La puerta del vino": no. 3 ; "Canope": no. 10 / Claude Debussy -- Le tombeau de Couperin (1917). Rigaudon: no. 4 ; Menuet: no. 5 / Maurice Ravel -- Pierrot Lunaire (1912). "Mondestrunken": no. 1 ; "Nacht": no. 8 -- Klavierstück: op. 33a (1929) / Arnold Schoenberg -- "Schliesse mir die Augen veide" (1925) ; Fünf Sätze for string quartet op. 5 (1909) ; Concerto op. 24: third movement (1934) / Anton Webern -- Le Sacre du Printemps (1913). Danses des Adolescentes ; L'Histoire du Soldat (The Soldier's Tale) (1918). Three dances ; Mass (1948). Kyrie / Igor Stravinsky -- The Housatonic at Stockbridge (1921) / Charles Ives -- Mikrokosmos (1926-37). "Chromatic invention": no. 91 ; "From the island of Bali": no. 109 ; "Dance in Bulgarian rhythm no. 2": no. 149 -- String quartet no. 4: first movement (1928) / Béla Bartók -- Ludus Tonalis (1942). Fugue no. 2 in G ; Interlude / Paul Hindemith -- The Young Person's Guide to the Orchestra, op. 34 (1946). Theme ; Fugue (opening) -- Serenade, op. 31 (1943). "Dirge" / Benjamin Britten -- Piano sonata no. 3: first movement (theme and variations) (1947) / Norman Dello Joio -- Twelve-bar blues pattern -- Jogo blues: opening (1913) / W.C. Handy -- Time further out (1961-62). "Far more blue": theme and first improvisation / Dave Brubeck -- Quaderno musicale di Annalibera (1953). "Lince": no. 4 ; "Contrapunctus secundus": no. 5 ; "Fregi": no. 6 / Luigi Dallapiccola -- Ancient voices of children (1970). Performance notes ; "Se ha llenado de luces mi corozón de seda" / George Crumb -- Sequenza VII for oboe / Luciano Berio. |
