Series |
The Apple-Zimmerman series in early modern culture
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Contents |
The power of images in early modern England : prejudices against and defenses of painting and playing -- John Lyly's campaspe and the subtle eroticism of the Elizabethan miniature -- Dramatic uses of portrait properties and face-painting in the boys' theater at St Paul's -- Scandalous counterfeiting : iconophobia, poison, and painting in Arden of Faversham -- "Stretch thine art" : painting passions, revenge, and the painters addition to the Spanish tragedy -- Images lawful and beguiling : ambivalent responses to painting in Shakespeare's drama. |
Bibliography note | Includes bibliographical references (p. 239-251) and index. |
Access restriction | Available only to authorized users. |
Technical details | Mode of access: World Wide Web |
Genre/form | Electronic books. |
LCCN | 2004017599 |
ISBN | 1575910853 (alk. paper) |