ECU Libraries Catalog

Il Trovatore / Verdi.

Author/creator Verdi, Giuseppe, 1813-1901 composer.
Other author/creatorPappano, Antonio, 1959- conductor.
Other author/creatorLondon Voices.
Other author/creatorLondon Symphony Orchestra.
Format Electronic, Audio (Streaming), and Musical Sound Recording
Publication Info [New York, New York] : Warner Music, [2005]
Description1 online resource (140 minutes).
Supplemental Content https://go.openathens.net/redirector/ecu.edu?url=http://www.aspresolver.com/aspresolver.asp?CLMU;440369
Subject(s)
Uniform titleTrovatore
Series EMI classics
Review This live recording of Il Trovatore was made on a tour by La Scala in Moscow in 1964, and it has the kind of old-fashioned, blood-red passion that was perhaps only possible with all-Italian casts. Its level of intensity, even wildness, accentuates the plot's melodramatic qualities and makes it hugely compelling. Of the principals, only Giulietta Simionato as Azucena is vocally inconsistent. Dramatically, its possible to forgive her since she is in fact portraying an old woman, but she doesn't begin with performance with the ideal power, although she grows vocally more secure as the performance progresses, and by the last act she is completely engaging, giving full voice to her character's rage. Gabriella Tucci is an utterly radiant Leonora.
Review Her voice soars thrillingly in an impassioned performance. Carlo Bergonzi is an exemplary Manrico, tender and stalwart, singing with a bright, warm, ringing tone. Piero Cappuccilli's di Luna is somewhat diffident.
Review Although he is fully vocally adequate, his performance lacks the menace to be fully convincing. Ivo Vinco, on the other hand, offers a vocally and dramatically charged portrayal of Ferrando. Gianandrea Gavazzeni leads the La Scala orchestra and chorus in a blazing, idiomatic, and deeply committed reading of the score. The sound is decidedly mediocre, especially toward the beginning of the opera. The stereo blend is erratic.
Review Sometimes all the sound seems to be coming out of only one speaker, but sometimes it's fine. There's generally good balance between the singers and orchestra. The level of ancillary noise is often distracting.
Review In some of the quieter sections it's possible to hear distinct talking in the background. On the basis of Gavazzeni's riveting leadership, and especially Tucci's and Bergonzi's gripping, stellar performances, this is a version that any fan of the passion and abandon of the golden age of bel canto singing will want to investigate.
General noteStreaming audio files.
General noteTitle from resource description page (viewed March 21, 2016).
General noteFor a variety of soloists, men's chorus, and orchestra.
Performer ldebrando d'Arcangelo ; Angela Gheorghiu ; Federica Proietti ; Thomas Hampson ; Roberto Alagna ; Larissa Diadkova ; Riccardo Simonetti ; Andrew Busher ; Enrico Facini ; London Voices ; London Symphony Orchestra (LSO) ; Antonio Pappano, conductor.
Date/time/place of a event noteRecorded No. 1 Studio, Abbey Road 2001.
LanguageSung in Italian.
Issued in other formOriginal UPC: _Digital_Only
Genre/formOperas.

Available Items

Library Location Call Number Status Item Actions
Music Electronic Resource Access Content Online ✔ Available