ECU Libraries Catalog

Verdi, the man and his music / Carlo Gatti ; translated from the Italian by Elisabeth Abbott.

Author/creator Gatti, Carlo, 1876-1965
Format Book and Print
Publication InfoNew York : G. P. Putnam's Sons, [1955]
Description371 pages ; 22 cm
Subject(s)
Uniform titleVerdi. English
Contents Exordium. The family -- Le Roncole -- Birth -- Childhood -- Busseto -- Studies in Milan -- The return to Busseto -- The competition for the post of Choirmaster and Master of Music of the Commune of Nusseto -- Oberto, Conte di San Bonifacio -- The failure of Un Giorno di Regno and the triumph of Nabucco -- From 1842-1849. Nabucodonosor -- I Lombardi alla Prima Crociata -- Ernani -- I Due Foscari -- Giovanna d'Arco -- Alzira -- Attila -- Macbeth -- I Masnadieri -- Jerusalem -- Il Corsaro -- La Battaglia di Legnano -- From 1849-1859. Luisa Miller -- Stiffelio -- Rigoletto -- Il Trovatore -- La Traviata -- I Vespri Siciliani [Les VĂªpres Siciliennes] -- Simon Boccanegra -- Aroldo -- Un Ballo in Maschera -- From 1859-1879. Political interlude -- La Forza del Destino and Hymn of the Nations -- The future of art and the new Italian school of music -- Macbeth revised -- Don Carlos -- Polemical interlude -- Aida -- The Quartet for Strings -- The Requiem -- Musical success throughout Europe -- Two dull years -- From 1879-1893. The reconciliation with Boito -- The Pater Noster and Ave Maria inspired by Dante -- The revision of Simon Boccanegra -- Otello -- The golden jubilee -- Falstaff -- From 1893-1901. The "grand old man" -- Death of Giuseppina Strepponi -- The Sacred Music -- Last illness, death, and funeral -- Verdi's holograph will.
Abstract Il Trovatore, La Traviata, Aida, Otello, Falstaff--such are the operas which mark Giuseppe Verdi as one of the most successful of all operatic composers. He knew personal tragedy and frustration in the course of his long life (1813-1901), some of his early operas failed, and in his later years he found his reputation overshadowed by that of Wagner, yet few musicians have been so universally acclaimed and rewarded as Verdi. Today his talents are taken far more seriously by critics than they were fifty years ago, and his operas are immensely popular. The remarkable development of his small-town organist and choirmaster, who at nearly sixty produced the imposing and ever popular Aida, at seventy-four the intensely dramatic Otello and at eighty the comic miracle of Falstaff, is now recognized. But Verdi was more than a great musician. He was a singularly lovable and human person, a formidable businessman, an ardent patriot. He knew and corresponded with all the great men of his day--musicians, artists and statesmen. Princes and peasants were his friends. Life on his farm at Sant'Agata was as dear to him as the applause at the world premiere of one of his operas. Carlo Gatti, who has spent a lifetime in the study of the maestro, has told his story in masterly fashion. His biography gives not only a full account of Verdi's activities as composer, but also describes his intimate life and the background of the stirring times in which he lived. It is a full, carefully detailed, heartwarming portrait, an inspiring study of a well-spent life. For many years one of Italy's leading music critics, Carlo Gatti is the author of several other musical biographies, including a life of Catalani. His 'Verdi' may be considered the standard biography. Originally published in 1939 and acclaimed throughout the music world, an English version is overdue. The present translation has been done by Elisabeth Abbott.
LCCN 55005776

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