| Contents |
Part I. Evaluating the primary sources for Op. 131. Toward a sketch vocabulary -- The standard-format sketchbook -- The pocket sources -- The score sketches -- The autograph, Stichvorlage, and first editions -- Part II. Three stages in the evolution of Op. 131. Plans for the structure of Op. 131 -- The evolution of the finale for Op. 131 -- The compositional process at the autograph stage of the fourth movement -- Appendix A. The paper type of the Kullak sketchbook ; Appendix B. Papers bearing the watermark of the Kullak sketchbook ; Appendix C. Sketch leaves belonging after Beethoven's death to Anton Schindler, but given away before 1836 ; Appendix D. The paper type of Aut. 10, Bundle 1 and Artaria 205, Bundle 3 ; Appendix E. Paper types 1, 3, 5, 7, 8, 9, 10, and 11 ; Appendix F. Commentary to transcriptions in chapter 6 ; Appendix G. Score sketch examples from chapter 7 ; Appendix H. Score sketch examples from chapter 8. |
