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Part one, Medieval and Renaissance compositions. Introduction -- Examples of plainchant. Kyrie from Mass XIII ; Tone for the Benedicamus Domino ; Hymn to St. John the Baptist ; Hymn for lauds, December 25 ; Antiphon for Vespers, 3rd Sunday of Advent ; Gloria Patri for the introit of the mass -- Orto virtutum: excerpts (morality play) / Hildegard of Bingen -- De bon espoir/Puisque la douce rosee/Speravi: isorhythmic motet / Guillaume de Machaut -- Communio from Missa Sancti Jacobi: fauxbourdon / Guillaume Dufay -- Tu pauperum regium: motet ; Baisés moy: double canon / Josquin Deprez -- Sanctus and Benedictus from Missa Aeterna Christi munera / Giovanni Pierluigi de Palestrina -- Three duos. 2, Beatus homo ; 5, Expectatio justorum ; 12, Sicut rosa / Roland de Lassus -- Examples of stock basses: late sixteenth century. Pavane passamaize / Claude Gervaise ; Passamezzo and saltarello: dance pair / Jacomo Gorzanis ; Greensleeves -- Now is the month of Maying: ballett / Thomas Morley -- Moro lasso al mio duolo: madrigal / Carlo Gesualdo. |
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Part two, Baroque compositions. Introduction -- Lasciatemi morire: madrigal / Claudio Monteverdi -- Adagio and Allegro: from Violin sonata, op. 5, no. 1 ; Allemanda: from Trio sonata, op. 4, no. 11 / Arcangelo Corelli -- Dido's lament: from Dido and Aeneas / Henry Purcell -- Prelude: from Suite II of Pièces de clavecin / Elisabeth Jacquet de La Guerre -- Les moissonneurs: from Pièces de clavecin, ordre VI / François Couperin -- Notebook for Anna Magdalena Bach. Four pieces. March ; Minuet ; Aria ; Polonaise -- Concerto grosso in B minor, op. 6, no. 12: in score. Largo ; Allegro. Air: from Suite no. 5 in E major: variations ; Chorus: Wretched lovers: from Acis and Galatea ; Recitative: Thy rebuke hath broken His heart: from Messiah ; Where'er you walk: from Semele / George Frideric Handel -- Gavottes I and II: from English suite no. 3 in G minor ; Minuets I and II: from Suite no. 1 in G major for violoncello solo ; Chaconne: from Partita no. 2 in D minor for violin solo. Two inventions. No. 4 in D minor ; No. 12 in A major ; Preludes and fugues from The well-tempered Klavier. From Book I. Prelude I in C major ; Fugue 11 in F major ; Fugue 16 in G minor ; Fugue 21 in B-flat major ; From Book II. Prelude and fugue 9 in major (with the Fugue in E major of J.K.F. Fischer, ca. 1665-1746) ; Contrapunctus VII: from The art of the fugue ; Four canons: from The musical offering ; Crucifixus: from Mass in B minor ; O Gott, du frommer Gott: chorlale variation ; Two chorale preludes. Wenn wir in höchsten Nöten sein ; Vor deinen Tron tret' ich hiermit / Johann Sebastian Bach -- Sonata in D major, K. 96 (Longo 465) / Domenico Scarlatti. |
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Part three, Classical compositions. Introduction -- Piano sonata no. 36 in C-sharp minor. First movement ; Piano sonata no. 37 in D major. Third movement ; Piano sonata no. 3 in C major. Third movement ; String quartet in G minor, op. 74, no. 3. Second movement ; Symphony no. 101 in D major. Thrid and fourth movement (in score) / Joseph Haydn -- Sonatina in G major, op. 36, no. 2. First movement / Muzio Clementi -- Divertimento no. 14 for wind octet, K. 270. Second movement ; Theme with variations: from Piano sonata in D major, K. 284 ; Piano sonata in B-flat major, K. 333. Allegro ; Andante cantabile ; Allegretto grazioso ; Fantasia in C minor, K. 475 ; The bird-catcher's song: from The magic flute, K. 620 ; Clarinet concerto in A major, K. 622. First movement (in score) / Wolfgang Amadeus Mozart -- Piano sonata no. 1 in F minor, op. 2, no. 1. First movement ; Third movement ; Piano sonata no. 4 in E-flat major, op. 7. Second movement ; Piano sonata no. 5 in C minor, op. 10, no. 1. Second movement ; Piano sonata no. 8 in C minor, op. 13 ("Pathétique"). Grave. Allegro di molto e con brio ; Adagio cantabile ; Allegro ; Piano sonata no. 9 in E major, op. 14, no. 1. Second movement ; Sonata for violin and piano ("Spring"), op. 24. First movement ; Piano sonata no. 15 in D major, op. 28. Third movement ; Piano sonata no. 21 in C major ("Waldstein"), op. 53. First movement ; String quartet in E minor, op. 59, no. 2. First movement ; String quartet in B-flat major, op. 130. Second movement / Ludwig van Beethoven. |
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Part four, Romantic compositions. Introduction -- Der König in Thule / Carl Friedrich Zelter -- Three Lieder. Nähe des Geliebten ; Der Doppelgänger: Schwanengesang ; Erlkönig ; Two piano pieces. Waltz in A-flat major, op. 9, no. 2 ; Moment musical no. 6: from Sechs Moments musicaux, op. 94 / Franz Schubert -- O Herbst: a cappella chorus / Fanny Mendelssohn Hensel -- Song without words: op. 19b, no. 1 / Felix Mendelssohn -- Seven pieces from Album for the young: op. 68. 1, Melodie = Melody ; 3, Trällerliedchen = Humming song ; 6, Armes Waisenkind = Poor orphan child ; 8, Wilder Reiter = Wild rider ; 14, Kleine Studie = Little etude ; 17, Kleiner Morgenwanderer = Little morning wanderer ; 31, Kriegslied = War song ; Vogel als Prophet: from Waldszenen: op. 82 ; Er, der herrlichste von allen: No. 2 from Frauenliebe und -leben: op. 42 / Robert Schumann -- Six preludes: from op. 28. Prelude no. 1 in C major ; Prelude no. 4 in E minor ; Prelude no. 6 in B minor ; Prelude no. 9 in E major ; Prelude no. 19 in E flat major ; Prelude no. 20 in C minor ; Four mazurkas. Mazurka no. 5 in B-flat major, op. 7, no. 1 ; Mazurka no. 6 in A minor, op. 7, no. 2 ; Mazurka no. 37 in A-flat major, op. 59, no. 2 ; Mazurka no. 49 in F minor, op. posth. 68, no. 4 ; Nocturne in D-flat major, op. 27, no. 2 / Fréderic Chopin -- Prelude to Act I: from Tristan and Isolde / Richard Wagner -- Andante espressivo. No. 3 of Quatre pièces fugitives: op. 15 / Clara Schumann -- Moderato: from Chorale no. 1 in E major for organ / César Franck -- Variations on a theme of Robert Schumann (excerpt): op. 9 ; Wie Melodien zieht es mir: op. 105, no. 1 ; Three intermezzos. Intermezzo in A minor, op. 76, no. 7 ; Intermezzo in A major, op. 118, no. 2 ; Intermezzo in C major, op. 119, no. 3 ; Sonata in F minor for clarinet and piano, op. 120, no. 1. First movement / Johannes Brahms -- Two songs. Das verlassene Mägdlein ; In der Frühe / Hugo Wolf -- Adagietto: from Symphony 5 (score) / Gustav Mahler -- Dark is the night. No. 1 of Three songs, op. 11 / Amy Beach. |
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Part five, Since Debussy. Introduction -- Prélude à L'après-midi d'un faune ; La cathédrale engloutie: from Preludes, book I / Claude Debussy -- No. 1 of Three piano pieces, op. 11 ; Summer morning by a lake (colors). No. 3 of Five pieces for orchestra, op. 16 ; Piano piece, op. 33a / Arnold Schoenberg -- Two songs. The cage ; General William Booth enters into heaven / Charles Ives -- Le martin-pêcheur. No. 4 from Histoires naturelles / Maurice Ravel -- Three pieces from Mikrokosmos. Bulgarian rhapsody ; Syncopation ; Diminished fift ; Music for string instruments, percussion, and celesta. First movement (score) / Béla Bartók -- Le sacre du printemps. Introduction to Part II ; Theme and variations A, B, and C: from Octet for wind instruments. Second movement ; Full fadom five. No. 2 of Three songs from William Shakespeare ; Pas-de-quatre and coda: From Agon / Igor Stravinsky -- Five movements for string quartet, op. 5. Fourth movement ; Wie bin ich froh!: No. 1 of Drei Lieder, op. 25 ; Variations for piano, op. 27. Second movement / Anton Webern -- Schlafend trägt man mich: from Vier Lieder, op. 2 / Alban Berg -- A swan: from Six chansons ; Fuga prima in C: from Ludus tonalis / Paul Hindemith -- Suite for violoncello solo, op. 84. First movement / Ernst Krenek -- String quartet 1931. Third movement / Ruth Crawford Seeger -- Simbolo. No. 1 from Quaderno musciale di Annalibera / Luigi Dallapiccola -- Liturgie de cristal. First movement of Quatuor pour la fin du temps / Olivier Messiaen -- Canaries. No. 7 from Eight pieces for four timpani / Elliot Carter -- For Paul Taylor and Anita Dencks / John Cage -- Three-score set. Second movement / William Schuman -- Play on notes: for children's voices and bells ; Semi-simple variations / Milton Babbitt -- No. 1 of Ten pieces for wind quintet / György Ligeti -- ¿Por qué nací entre espejos? No. 1 of Madrigals, book IV / George Crumb -- Autumn. First movement of Ropcking mirror daybreak for violin duo / Toru Takemitsu -- In C / Terry Riley -- Clapping music: for two performers / Steve Reich -- Psalm 13: from Four psalm settings / Bruce Saylor -- This is prophetic: from Nixon in China / John Adams. |
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Appendix A, Two jazz forms: blues and rhythm changes. Introduction -- The blues form -- West end blues / by Joseph "King" Oliver and Clarence Williams -- Louis Armstrong's improvisation on West end blues, Blues / transcribed by H. David Caffey -- I got rhythm. Refrain / by George and Ira Gershwin -- Anthropology / by Charles Parker and John "Dizzy" Gillespie. Bars 1-8 / arranged by Gil Fuller ; The complete tune / arranged by Frank Paparelli ; Charlie Parker's improvisation on Anthropology: Thriving on a riff / transcribed by Henry Martin. |
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Appendix B, Mostly chorale harmonizations / by J.S. Bach unless otherwise stated. Introduction -- Ach Gott und Herr. Christoph Peter: figured bass ; J.S. Bach ; J.S. Bach -- Ach, wie flüchtig, ach wie nichtig -- Aus tiefer Not schrei ich zu dir. Hans Leo Hassler ; J.S. Bach -- Awake, awake, good people all / Ralph Vaughan Williams -- Christ lag in Todesbanden -- Ein feste Burg ist unser Gott. Hans Leo Hassler ; J.S. Bach -- Ermuntre dich, mein schwacher Geist. J.S. Bach ; J.S. Bach -- Es ist ein' Ros' entsprungen / Michael Praetorius -- Freuet euch, ihr Christen alle -- Herr Gott, dich loben alle wir. Michael Praetorius ; J.S. Bach -- Herzliebster Jesu. Johann Crüger: figured bass ; J.S. Bach -- Jesu, Jesu, du bist mein: figured bass -- Jesu, meine Freude -- Komm, Gott Schöpfer, heiliger Geist -- O Haupt voll Blut und Wunden. Mein Gmüth ist mir verwirret / Hans Leo Hassler ; J.S. Bach -- O Mensch, bewein' dein' Sünde gross -- O Welt, ich muss dich lassen. Isbruck, ich muss dich lassen / Heinrich Isaac ; J.S. Bach -- So gehst du nun, mein Jesu hin: figured bass -- So gibst du nun, mein Jesu, gute Nacht: figured bass -- Valet will ich dir geben -- Wach' auf!: from Die Meistersinger / Richard Wagner -- Wir Christenleut. Johann Hermann Schein: figured bass ; J.S. Bach -- A note on the the sources -- Translations of foreign terms -- Complete short pieces suitable for first- and second-year courses -- Index I. General index -- Index II. Index of chords, sequences, and modulations. |
| Abstract |
Offering a large and varied body of music for study and adaptable to any theoretical approach, this landmark collection contains more than 200 complete musical compositions, ranging in time from the Middle Ages to the present. Appropriate for various music theory courses, the book indexes many illustrations of chords, voice-leading techniques, and forms. Substantially revised and updated, this new edition features: an expanded twentieth-century section, including the works of Messiaen, Ligeti, Takemitsu, Reich, and Adams; greater representation of women composers--Hildegard of Bingen, Elisabeth Jacquet de la Guerre, Fanny Mendelssohn Hensel, Clara Schumann, and Amy Beach (with Ruth Crawford Seeger retained from the previous edition); significant new works, such as the dramatic chorus "Wretched lovers" from Handel's Acis and Galatea, the first movement of Mozart's clarinet concerto, Beethoven's second "Rasumovsky" quartet, first movement, and an aria from John Adams' Nixon in China; added selections for wind ensembles, including several variations from Stravinsky's Octet for winds; and a dictionary of the foreign terms and expressions used in this book. |
| Local note | Little-342653--305131055089/ |
| General note | The vocal works: English, French, German, Italian, and Latin words; non-English-language works accompanied by English translations printed as texts. |
| Bibliography note | Includes bibliographical references (page 583) and indexes. |
| Genre/form | Scores. |
| LCCN | 2003102453 |
| ISBN | 0155062182 |
| ISBN | 9780155062184 |
