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LEADER 03238cam 22004094a 4500
001
ocm52165922
003
OCoLC
005
20141212175814.0
008
030415s2004 enka b 001 0 eng
010
a| 2003051229
020
a| 0521800277 (HB)
020
a| 052180471X (PB)
035
a| (Sirsi) o52165922
035
a| (OCoLC)52165922
040
a| DLC
c| DLC
d| UtOrBLW
042
a| pcc
049
a| EREM
050
0
0
a| ML2829
b| .C36 2004
082
0
0
a| 782.42168/0943
2| 21
245
0
4
a| The Cambridge companion to the Lied /
c| edited by James Parsons.
260
a| Cambridge ;
a| New York :
b| Cambridge University Press,
c| 2004.
300
a| xxxviii, 399 pages :
b| illustrations ;
c| 26 cm.
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
490
1
a| Cambridge companions to music
504
a| Includes bibliographical references (pages 369-382) and index.
505
0
0
g| Part I: Introducing a genre.
g| Introduction:
t| why the Lied? /
r| James Parsons --
t| In the beginning was poetry /
r| Jane K. Brown --
g| Part II:
t| The birth and early history of a genre in the Age of Enlightenment.
t| The eighteenth-century Lied /
r| James Parsons --
t| The Lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven /
r| Amanda Glauert --
g| Part III:
t| The nineteenth century: issues of style and development.
t| The Lieder of Schubert /
r| Marie-Agnes Dittrich --
t| The early nineteenth-century song cycle /
r| Ruth O. Bingham --
t| Schumann: reconfiguring the Lied /
r| Jürgen Thym --
t| A multitude of voices: the Lied at mid century /
r| James Deaville --
t| The Lieder of Liszt /
r| Rena Charnin Mueller --
t| The Lieder of Brahms /
r| Heather Platt --
t| Tradition and innovation: the Lieder of Hugo Wolf /
r| Susan Youens --
t| Beyond song: instrumental transformations and adaptations of the Lied from Schubert to Mahler /
r| Christopher H. Gibbs --
g| Part IV:
t| Into the twentieth century.
t| The Lieder of Mahler and Richard Strauss /
r| James L. Zychowicz --
t| The Lied in the modern age: to mid century /
r| James Parsons --
g| Part V:
t| Reception and performance.
t| The circulation of the Lied: the double life of an artwork and a commodity /
r| David Gramit --
t| The Lied in performance /
r| Graham Johnson.
520
a| This is the first introductory chronicle of this genre. In essays by eminent scholars, this book places the Lied in its full context--at once musical, literary, and cultural--with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
650
0
a| Songs
z| Germany
x| History and criticism.
=| ^A44083
650
0
a| Songs
z| Austria
x| History and criticism.
=| ^A44083
700
1
a| Parsons, James,
d| 1956-
e| editor.
=| ^A583154
830
0
a| Cambridge companions to music.
=| ^A371619
994
a| X0
b| ERE
596
a| 3
998
a| 972425
999
a| ML2829 .C36 2004
w| LC
c| 1
i| 30372012577349
d| 5/28/2015
e| 5/8/2015
f| 6/28/2018
g| 3
l| MST
m| JMUSIC
n| 19
p| $25.64
q| 2
r| Y
s| Y
t| MGESBK
u| 9/21/2004
x| BOOK
z| MCIRC
o| .STAFF. enhanced 1/30/23 -jjab