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LEADER 03950cam 22004454a 4500
001
ocm51726840
003
OCoLC
005
20141212175407.0
008
030212s2004 enka b 001 0 eng
010
a| 2003041875
020
a| 0754605787 (alk. paper)
035
a| (Sirsi) o51726840
035
a| (OCoLC)51726840
040
a| DLC
c| DLC
d| YDX
d| UKM
d| ERE
d| UtOrBLW
042
a| pcc
049
a| EREM
050
0
0
a| ML3918.O64
b| T39 2004
082
0
0
a| 782.1/092/243
2| 21
100
1
a| Taylor-Jay, Claire.
=| ^A581187
245
1
4
a| The artist-operas of Pfitzner, Krenek, and Hindemith :
b| politics and the ideology of the artist /
c| Claire Taylor-Jay.
246
3
a| Artist operas of Pfitzner, Krenek, and Hindemith
260
a| Aldershot, Hants, England ;
a| Burlington, VT :
b| Ashgate,
c| ©2004.
300
a| vi, 225 pages :
b| illustrations ;
c| 25 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
504
a| Includes bibliographical references (pages 199-219) and index.
505
0
0
g| The relationship of artist and society: historical perspectives --
g| Artist and society in the early twentieth century --
g| Artist-operas as self-(re)presentation --
g| Precursors of the twentieth-century artist-opera --
g| The artist-opera and politics --
t| Pfitzner, Palestrina, and the nonpolitical composer --
t| The context of Palestrina --
t| Political conservatism c. World War I --
g| Conservative politics and art (1):
t| Thomas Mann's Betrachtungen eines Unpolitischen --
g| Conservative politics and art (2):
t| Pfitzner's aesthetics --
t| Conservatism in Palestrina --
g| The character of Palestrina as 'nonpolitical' --
t| The Council of Trent as 'political' --
t| Krenek spielt auf: Jonny, jazz and the modern composer --
g| The context of Jonny spielt auf:
t| politics and culture in the Weimar Republic --
g| Americanism and politics --
t| Americanism, mass culture and jazz --
t| Krenek and the meaning of popular music --
t| The influence of Paul Bekker --
g| Artists and society in Jonny spielt auf --
t| Max's transformation --
t| Krenek and Jonny spielt auf --
t| Painting and politics in Hindemith's Mathis der Maler --
g| The context of Mathis der Maler: Germany in the 1930s --
t| Aspects of National Socialist ideology --
t| Hindemith's aesthetics --
g| Artist and society in Mathis der Maler --
t| Hindemith and the Third Reich --
g| Conclusion: artistic identity as performative.
520
a| This is the first book-length study of the genre of 'artist-opera', in which the work's central character is an artist who is uncomfortable with his place in the world. It investigates how three such operas (Pfitzner's Palestrina (1915), Krenek's Jonny spielt auf (1926) and Hindemith's Mathis der Maler (1935)) contributed to the debate in early twentieth-century Germany about the place of art and the artist in modern society, and examines how far the artist-character may be taken as functioning as a persona for the real composer of the work. Because of their concern with the place of art within society, the works are also engaged with inherently political questions, and each opera is read in the light of the political context of its time: conservatism circa World War I, Americanism and democracy, and the rise of National Socialism.
600
1
0
a| Pfitzner, Hans,
d| 1869-1949.
t| Palestrina.
=| ^A506132
600
1
0
a| Krenek, Ernst,
d| 1900-1991.
t| Jonny spielt auf.
=| ^A691922
600
1
0
a| Hindemith, Paul,
d| 1895-1963.
t| Mathis der Maler (Opera)
=| ^A505909
650
0
a| Opera
x| Political aspects
z| Germany.
=| ^A19937
650
0
a| Opera
x| Social aspects
z| Germany.
=| ^A19937
650
0
a| Opera
z| Germany
y| 20th century.
=| ^A1240691
650
0
a| Art and society
z| Germany
x| History
y| 20th century.
=| ^A30365
994
a| X0
b| ERE
596
a| 3
998
a| 967903
999
a| ML3918.O64 T39 2004
w| LC
c| 1
i| 30372012407604
d| 9/25/2018
e| 4/24/2012
f| 7/6/2018
g| 4
l| MST
m| JMUSIC
n| 5
q| 3
r| Y
s| Y
t| MGESBK
u| 8/11/2004
x| BOOK
z| MCIRC
o| .STAFF. enhanced 2/5/24 -jjab