ECU Libraries Catalog

The impact of black nationalist ideology on American jazz music of the 1960s and 1970s / John D. Baskerville.

Author/creator Baskerville, John D.
Format Book and Print
Publication InfoLewiston, NY : Edwin Mellen Press, ©2003.
Descriptionxii, 166 pages ; 24 cm.
Subject(s)
Series Black studies ; v. 20
Black studies ; v. 20. ^A422414
Contents The colonized Black nation: the basic and development of Black nationalist thought of the 1960s and 1970s. National ideology ; Assimilation/integration ; Revolution and the decolonization process ; Revitalization and the re-emergence of black nationalism ; Varieties of black nationalism ; Cultural nationalism ; Educational nationalism ; Religious nationalism ; Revolutionary nationalism -- Culture, jazz, and the new Black music: political weapons. Revolution on the cultural front ; Cultural nationalism ; Soul music as nationalist expression ; Pre-nationalist jazz ; New Orleans: a case study ; Imitators and the commodification of jazz ; Inclinations: black nationalism in jazz ; The new black music ; Self-definition ; Self-assessment ; Economic self-reliance and control ; Unity and communication -- The power to elevate and define one's own identity, consciousness, and the new Black music. Black cultural revitalization ; The new negro: the Harlem renaissance and Marcus Garvey ; Black is beautiful: self-identity and black aesthetics ; "Jazz": another name for nigger? -- The power to elevate and define one's own: cultural revitalization and the pursuit of a Black aesthetic. African liberation, Frantz Fanon, and black cultural nationalism ; Frantz Fanon and the role of national culture in the decolonization process ; Black cultural nationalism of the 1960s ; Black arts and the Black aesthetic ; The black aesthetic and the new black music ; Poly-rhythms, texture, and collective improvisation ; The Chicagoans: a case study -- "You own it and we make it": economic Black nationalism and the New Black music. The economic colonization of Black Americans ; The economics of jazz music: a brief history ; Musical colonialism and the new Black music ; The recording industry ; The jazz clubs ; From commodity to art: economic and artistic control ; The loft movement ; Collectives ; Independent record companies and labels -- Conclusion: The impossible revolution? Black nationalism and the new Black music. The decline of Black nationalism ; Black nationalism and the new Black music -- Appendix: The tributaries of American jazz music. Piano and ragtime music ; Syncopated orchestras ; Blues-based folk music.
Abstract The purpose of this monograph is threefold: 1) to explore the development of modern black nationalist thought of the 1960s and 1970s and locate it within the tradition of modern black nationalism and cultural revitalization that emerged during the early decades of the 20th century; 2) to demonstrate how a group of musicians operating in the style of American jazz music referred to as the New Black Music embraced the various tenets of modern black nationalism and attempted to put these ideas into practice in the production of their music; and 3) to demonstrate how the study of music can be utilized effectively to enhance our understanding of cultural, political and social phenomena in American society.
Bibliography noteIncludes bibliographical references (pages 149-160) and index.
LCCN 2003054057
ISBN0773466460

Available Items

Library Location Call Number Status Item Actions
Music Closed Stacks - Ask at Circulation Desk ML3508 .B37 2003 ✔ Available Place Hold