ECU Libraries Catalog

The Cambridge history of nineteenth-century music / edited by Jim Samson.

Other author/creatorSamson, Jim.
Format Book and Print
Publication InfoCambridge ; New York : Cambridge University Press, ©2002.
Descriptionxv, 772 pages ; 24 cm.
Subject(s)
Series Cambridge history of music
Cambridge history of music. ^A684135
Contents Part one. 1800-1850. The musical work and nineteenth-century history / Jim Samson ; Music and the rise of aesthetics / Andrew Bowie ; The profession of music / John Rink ; The opera industry / Roger Parker ; The construction of Beethoven / K. M. Knittel ; Music and the poetic / Julian Rushton ; The invention of tradition / John Irving ; Choral music / John Butt ; The consumption of music /rDerek Carew ; The great composer / Jim Samson -- Part two. 1850-1900. Progress, modernity and the concept of an avant-garde / John Williamson ; Music as ideal: the aesthetics of autonomy / Max Paddison ; The structures of musical life / Katharine Ellis ; Opera and music drama / Thomas Grey ; Beethoven reception: the symphonic tradition / James Hepokoski ; Words and music in Germany and France / Susan Youens ; Chamber music and piano / Jonathan Dunsby ; Choral culture and the regeneration of the organ / John Butt ; Music and social class / Derek B. Scott ; Nations and nationalism / Jim Samson ; Styles and languages around the turn of the century / Anthony Pople -- Chronology / Sarah Hibberd -- Institutions / Sarah Hibberd -- Personalia / Sarah Hibberd.
Abstract This comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. It avoids mere repertory surveys, focusing instead on issues which illuminate the subject in novel and interesting ways. The book is divided into two parts (1800-1850 and 1850-1900), each of which approaches the major repertory of the period by way of essays investigating the intellectual and socio-political history of the time. The music itself is discussed in five central chapters within each part, amplified by essays on topics such as popular culture, nationalism, genius, and the emergent concept of an avant-garde. The book concludes with an examination of musical styles and languages around the turn of the century. The addition of a detailed chronology and extensive glossaries makes this the most informed reference book on nineteenth-century music currently available.
Bibliography noteIncludes bibliographical references and index.
LCCN 00067469
ISBN0521590175 (hardback)

Available Items

Library Location Call Number Status Item Actions
Music Music Stacks ML196 .C36 2001 ✔ Available Place Hold