| Contents |
All our Othello: black monsters and white masks on the American screen / Marguerite Hailey Rippy -- "How very like the home life of our own dear queen": Ian McKellen's Richard III / Lisa Hopkins -- (Un)doing the book "without Verona walls": a view from the receiving end of Baz Luhrmann's William Shakespeare's Romeo + Juliet / Alfredo Michel Modenessi -- Cutting up characters: the erotic politics of Trevor Nunn's Twelfth night / Laurie Osborne -- The marriage of Shakespeare and Hollywood: Kenneth Branagh's Much ado about nothing / Samuel Crowl -- Shakespeare in love: romancing the author, mastering the body / Courtney Lehmann -- "Art thou base, common, and popular?": The cultural politics of Kenneth Branagh's Hamlet / Douglas Lanier -- From the cinema to the classroom: Hollywood teaches Hamlet / Elizabeth A. Deitchman -- The film's the thing: using Shakespearean film in the classroom / Annalisa Castaldo -- Afterword: Te(e)n things I hate about Girlene Shakesploitation flicks in the late 1990's, or not-so-fast times at Shakespeare high / Richard Burt. |
