ECU Libraries Catalog
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LEADER 03704cam 2200409 4500
001
ocm00068924
003
OCoLC
005
20141212145510.0
008
700505s1969 enkabf b 001 0 eng
010
a| 70460120
019
a| 59173394
020
a| 0193185067
020
a| 9780193185067
035
a| (Sirsi) o00068924
035
a| (OCoLC)68924
040
a| DLC
c| DLC
d| UKM
d| BTCTA
d| UtOrBLW
041
1
a| eng
a| ger
049
a| EREM
050
0
0
a| ML750
b| .B323
082
0
0
a| 787/.01
100
1
a| Bachmann, Werner.
=| ^A1229126
240
1
0
a| Anfänge des Streichinstrumentenspiels.
l| English
=| ^A1229126
245
1
4
a| The origins of bowing and the development of bowed instruments up to the thirteenth century /
c| Werner Bachmann ; translated from the German by Norma Deane.
260
a| London ;
a| New York :
b| Oxford University Press,
c| 1969.
300
a| xvi, 178 pages, 41 plates (1 folded) :
b| illustrations, map ;
c| 25 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
500
a| Originally published as Die Anfänge des Streichinstrumentenspiels. 2. Aufl. Leipzig, Breitkopf & Härtel, 1966.
504
a| Includes bibliography (pages 152-163) and index.
505
0
a| The present state of research. Older literature ; Theories of the Nordic and Indian origin of bowed instruments ; Philological considerations ; Ethnomusicological considerations ; Iconographical considerations ; The position today -- The earliest traces of the use of the bow in Europe and the East. Islam. The first evidence for the use of the bow ; The rabab and other instruments ; Instruments of the kamanja type -- Byzantium. The heritage from antiquity ; Pictorial evidence ; Byzantine bowed instruments ; Where did bowing originate? -- Central Asia. The cultural background ; The musical background ; The first use of the bow ; Pictorial evidence ; The evidence of Central Asian instruments today ; Summary of the evidence -- Europe. Instruments and plectra before the introduction of the bow ; The first evidence of bowing in Europe -- Eastern Asia -- European bowed instruments in the eleventh and twelfth centuries. The fidel and related chordophones. The body (Methods of construction and materials ; Shapes ; Methods of attaching strings) ; The strings (Material used ; Methods of manufacture ; The number of strings) ; The bow ; Techniques of performance (Positions ; Bowing ; Stopping) ; Tunings and drone-strings (Evidence from contemporary folk-instruments ; Medieval and later evidence) -- The hurdy-gurdy. Origin ; Construction ; Techniques of performance and musical character ; Tuning -- The bowed rote -- Bowed instruments in medieval society. Their social standing ; Their repertoire: conditions of performance ; The relation of instrumental to vocal parts, and the implications of ensemble playing ; Their tone-quality, and their effect on the listener -- Concluding summary. The origins of bowing ; Types of bowed instruments ; Strings ; Bows ; How instruments were held ; Tunings ; The hurdy-gurdy ; The bowed rote ; Social standing and conditions of performance -- Appendix A. The borderline between plucking and bowing. The problem of systematic classification ; Methods transitional between plucking and bowing -- Appendix B. Monophony and polyphony on solo instruments.
650
0
a| Bowed stringed instruments
x| History.
=| ^A157894
650
0
a| Bowed stringed instruments
x| Bowing.
=| ^A772476
994
a| C0
b| ERE
596
a| 3
998
a| 7856
999
a| ML750.B323 A53
w| LC
c| 1
i| 30372014411653
d| 4/11/2017
e| 3/14/2017
f| 4/4/2024
g| 4
l| MST
m| JMUSIC
n| 2
p| $65.99
q| 2
r| Y
s| Y
t| MGESBK
u| 2/18/2008
x| BOOK
z| MCIRC
o| .STAFF. enhanced 11/22/22 -jjab