| Series |
Studies in musicology ; [no. 48]
Studies in musicology ; no. 48. ^A163772
|
| Contents |
Bach's activity as a composer -- Problems of authenticity. Early catalogs of Carl Philipp Emanuel Bach's works ; Later catalogs ; Concertos of doubtful authenticity -- Provenance of the sources. Preparation of manuscripts by Bach and his copyists ; Bach's business dealings ; Bach's relationship to music dealers and publishers ; Classification of preserved sources ; Provenance of present day collections of CPE Bach's concertos -- The compositional process. CPE Bach's study of music history and theory ; The interpretation and transcription of Bach's successive stages in composition ; Bach's sequence of decision-making ; Alterations ; Revised and alternate versions ; Arrangements -- Appendix A, Manuscript and early printed sources of the keyboard concertos of C.P.E. Bach -- Appendix B, Concertos falsely attributed to C.P.E. Bach and concertos of questionable authenticity -- Appendix C, Copyists -- Appendix D, Owners -- Appendix E, Authentic cadenzas. |
| Bibliography note | Includes bibliographical references (pages 341-354) and index. |
| Issued in other form | Online version: Wade, Rachel W., 1946- Keyboard concertos of Carl Philipp Emanuel Bach. Ann Arbor, Mich. : UMI Research Press, ©1981 |
| LCCN | 81007429 |
| ISBN | 0835712079 |
| ISBN | 9780835712071 |
