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LEADER 03705cam 2200613 i 4500
001
on1162229302
003
OCoLC
005
20210520120320.0
008
200526t20212021ncu b 001 0 eng
010
a| 2020022370
020
a| 9781469661957
q| (cloth : alk. paper)
020
a| 1469661950
020
a| 9781469661964
q| (paperback : alk. paper)
020
a| 1469661969
020
z| 9781469661971
q| (ebook)
035
a| (Sirsi) 99986899763
035
a| (OCoLC)1162229302
040
a| NcU/DLC
b| eng
e| rda
c| DLC
d| OCLCO
d| OCLCF
d| YDX
d| BDX
d| AMH
d| FUG
d| NGU
d| ERE
d| UtOrBLW
042
a| pcc
043
a| n-usu--
049
a| EREN
050
0
0
a| ML3918.R37
b| B715 2021
082
0
0
a| 782.4216490975
2| 23
100
1
a| Bradley, Regina N.,
d| 1984-
e| author.
=| ^A1420614
245
1
0
a| Chronicling Stankonia :
b| the rise of the hip-hop South /
c| Regina N. Bradley.
264
1
a| Chapel Hill :
b| University of North Carolina Press,
c| [2021]
264
4
c| ©2021
300
a| xiii, 121 pages ;
c| 24 cm
336
a| text
b| txt
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
504
a| Includes bibliographical references and index.
505
0
a| The demo tape ain't nobody wanna hear -- Spelling out the work -- Re-imagining slavery in the hip hop imagination -- Still ain't forgave myself.
520
a| "Chronicling Stankonia situates hip hop as an intervention in constructing post-Civil Rights black identities and cultural discourse. For southern blacks, the past is often restricted to three recognizable historical moments - the Antebellum Era, Jim Crow, and the Civil Rights Movement. Aside from the deeply traumatic experience of these periods of history, they also serve as cornerstones of validating and recognizing southern blacks' experiences. However, the challenge for post-Civil Rights generations of southern blacks is speaking truth to power when their truths depart the trajectory of what was considered power in the past. Chronicling Stankonia updates the black South using hip hop as an agent to reflect multiple intersections of time, race, and southernness in the late twentieth and early twenty-first centuries. Part of southern hip hop culture's truth remains attached to the past but its power is grounded in the fact that younger southerners use hip hop to embrace the possibility of multiple Souths, multiple narratives, and multiple entry points into contemporary southern black identities"--
c| Provided by publisher.
650
0
a| Rap (Music)
x| Social aspects
z| Southern States.
=| ^A1013908
650
0
a| Rap (Music)
z| Southern States
x| History and criticism.
=| ^A281352
650
0
a| Hip-hop
z| Southern States.
=| ^A484877
650
0
a| African Americans
x| Race identity
z| Southern States.
=| ^A5190
610
2
0
a| OutKast (Musical group)
=| ^A600161
610
2
7
a| OutKast (Musical group)
2| fast
0| (OCoLC)fst00744363
?| UNAUTHORIZED
650
7
a| African Americans
x| Race identity.
2| fast
0| (OCoLC)fst00799666
650
7
a| Hip-hop.
2| fast
0| (OCoLC)fst00957237
650
7
a| Rap (Music)
2| fast
0| (OCoLC)fst01089951
650
7
a| Rap (Music)
x| Social aspects.
2| fast
0| (OCoLC)fst01089957
651
7
a| Southern States.
2| fast
0| (OCoLC)fst01244550
?| UNAUTHORIZED
655
7
a| Criticism, interpretation, etc.
2| fast
0| (OCoLC)fst01411635
938
a| Brodart
b| BROD
n| 127900748
938
a| YBP Library Services
b| YANK
n| 16947355
938
a| YBP Library Services
b| YANK
n| 16947354
949
a| ML3918.R37 B715 2021
h| JOYNER89
o| jdjr
i| 30372017419018
994
a| C0
b| ERE
596
a| 1
998
a| 5579850
999
a| ML3918.R37 B715 2021
w| LC
c| 1
i| 30372017419018
f| 4/22/2024
g| 2
l| JNCS
m| JOYNER
r| Y
s| Y
t| JNCSBK
u| 5/20/2021
x| BOOK
z| JNCCOLL
o| .STAFF. jdjr