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LEADER 04038cam 2200409 i 4500
001
ocn906295074
003
OCoLC
005
20200806105737.0
008
150326s2015 nyuag b 001 0 eng
010
a| 2015011837
020
a| 9781576472484
q| (alk. paper)
020
a| 1576472485
q| (paperback
q| alkaline paper)
035
a| (Sirsi) o906295074
035
a| (OCoLC)906295074
040
a| DLC
b| eng
e| rda
c| DLC
d| YDX
d| YDXCP
d| ERASA
d| CHVBK
d| AMH
d| OCLCQ
d| OCLCF
d| ICW
d| BTCTA
d| OCLCA
d| UKMGB
d| UtOrBLW
042
a| pcc
049
a| EREM
050
0
0
a| ML410.S283
b| B77 2015
082
0
0
a| 780.92
2| 23
100
1
a| Bruhn, Siglind,
e| author.
=| ^A395721
245
1
0
a| Arnold Schoenberg's journey from tone poems to kaleidoscopic sound colors /
c| by Siglind Bruhn.
264
1
a| Hillsdale, NY :
b| Pendragon Press,
c| [2015]
300
a| 367 pages :
b| illustrations, music ;
c| 24 cm.
336
a| text
b| txt
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
490
1
a| Interplay: music in interdisciplinary dialogue ;
v| no. 11
504
a| Includes bibliographical references (pages 351-364) and index.
505
0
0
t| 1899-1903 : Wagner's legacy.
t| Verklärte Nacht =
t| Transfigured night ;
t| Gurre-Lieder =
t| Songs of Gurre ;
t| Pelleas and Melisande --
t| 1904-1906 :
t| Developing variation.
t| The first string quartet ;
t| Eight songs for voice and piano ;
t| The first chamber symphony --
t| 1907-1908 :
t| Multiple perspectives.
t| Friede auf Erden =
t| Peace on earth ;
t| The second string quartet ;
t| The book of the hanging gardens --
t| 1909 :
t| Sound carpets and kaleidoscopic color plays.
t| Three piano pieces ;
t| Five pieces for orchestra ;
t| Erwartung =
t| Expectation --
t| 1910-1913 :
t| The charm of musical aphorisms.
t| Three pieces for chamber ensemble ;
t| Six little piano pieces ;
t| Herzgewächse =
t| Growths of the heart ;
t| Pierrot lunaire ;
t| Die glückliche Hand =
t| The lucky hand --
t| Epilogue 1914 :
t| Sketches toward a symphony.
520
a| This study traces the evolution of Schoenberg's musical language during his formative years by offering in-depth analyses of eighteen significant compositions. These include works for solo piano, chamber groups, small and large orchestras, as well as vocal works with various accompaniments, an a cappella choral work, and a drama with music. The developmental steps are contextualized both conceptually and with reference to the momentous socio-cultural upheaval during those years, particularly to new movements in the arts and literature in Europe. The foundation of Schoenberg's career was laid in 1899 with his string sextet Verklärte Nacht. In this work, composed in an adaptation of Wagnerian leitmotif technique, the 25-year-old composer dared to apply the idea of a non-vocal "interpretation" of a poetic text, until then restricted to piano pieces or orchestral music, to a work of chamber music. In 1914, when the now 40-year-old Schoenberg had just written his first tentative phrase comprising twelve non-recurrent pitches, he found his career put on hold, first by military service in World War I, then by the need to support his family with gainful employment, by providing transcriptions of popular composers' works. During the fifteen-year period between 1899 and 1914, Schoenberg's development was impressively broad in scope, extraordinarily fast in the sequence of its steps, and astonishingly free from influence by contemporary composers other than those who came to study with him and eventually shared his ambitions as colleagues. Inspiration came much rather from the other arts, particularly from painters and poets.
600
1
0
a| Schoenberg, Arnold,
d| 1874-1951
x| Criticism and interpretation.
=| ^A18534
650
0
a| Composition (Music)
x| History
y| 20th century.
=| ^A17648
830
0
a| Interplay (Hillsdale, N.Y.) ;
v| no. 11.
=| ^A458031
994
a| C0
b| ERE
596
a| 3
998
a| 5269264
999
a| ML410.S283 B77 2015
w| LC
c| 1
i| 30372017171171
d| 1/22/2021
e| 12/14/2020
f| 3/12/2024
g| 1
l| MST
m| JMUSIC
n| 2
r| Y
s| Y
t| MGESBK
u| 6/15/2020
x| BOOK
z| MCIRC
o| .STAFF. jjab