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LEADER 03172cam 2200481 i 4500
001
ocn945648886
003
OCoLC
005
20170510042809.9
008
160715s2017 nhu b 001 0 eng
010
a| 2016032798
020
a| 9781512600216
q| (cloth ;
q| alk. paper)
020
a| 1512600210
q| (cloth ;
q| alk. paper)
020
a| 9781512600223
q| (pbk. ;
q| alk. paper)
020
a| 1512600229
q| (pbk. ;
q| alk. paper)
035
a| (Sirsi) 40027102251
035
a| 40027102251
035
a| (OCoLC)945648886
040
a| DLC
b| eng
e| rda
c| DLC
d| BTCTA
d| YDXCP
d| BDX
d| OCLCF
d| DRB
d| YDX
d| GZM
d| OCLCQ
d| SOI
d| OCLCQ
d| UtOrBLW
042
a| pcc
050
0
0
a| N70
b| .H76 2017
082
0
0
a| 776
2| 23
100
1
a| Hoy, Meredith
e| author.
=| ^A1331407
245
1
0
a| From point to pixel :
b| a genealogy of digital aesthetics /
c| Meredith Hoy.
264
1
a| Hanover, New Hampshire :
b| Dartmouth College Press,
c| [2017]
300
a| xiii, 257 pages ;
c| 25 cm.
336
a| text
b| txt
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
490
1
a| Interfaces, studies in visual culture
504
a| Includes bibliographical references (pages 239-248) and index.
505
0
a| Introduction. The digital : an aesthetic ontology -- From analog pictures to digital notations -- Points, divisions, and pixels : from modern to contemporary digitality -- Vasarely, Watz, and the new abstraction : from op art to generative art -- Spectral analogies : From wall drawing to the art of programming -- Conclusion. Amalgamations : from digital painting to information visualization.
520
a| "In this fiercely ambitious study, Meredith Anne Hoy seeks to reestablish the very definitions of digital art and aesthetics in art history. She begins by problematizing the notion of digital aesthetics, tracing the nineteenth- and twentieth-century movements that sought to break art down into its constituent elements, which in many ways predicted and paved the way for our acceptance of digital art. Through a series of case studies, Hoy questions the separation between analog and digital art and finds that while there may be sensual and experiential differences, they fall within the same technological categories. She also discusses computational art, in which the sole act of creation is the building of a self-generating algorithm. The medium isn't the message--what really matters is the degree to which the viewer can sense a creative hand in the art"--The publisher.
650
0
a| Art
x| Philosophy.
=| ^A18547
650
0
a| Digital images.
=| ^A916779
650
7
a| Art
x| Philosophy.
2| fast
0| (OCoLC)fst00815307
650
7
a| Digital images.
2| fast
0| (OCoLC)fst01739927
776
0
8
i| Online version:
a| Hoy, Meredith Anne.
t| From point to pixel.
d| Hanover, New Hampshire : Dartmouth College Press, 2017
z| 9781512600230
w| (DLC) 2016056171
830
0
a| Interfaces, studies in visual culture.
=| ^A612352
949
i| 30372016640994
o| jjlm
960
o| 1
s| 95.00
t| Joyner48
u| JAPP
z| USD
596
a| 1
998
a| 4708934
999
a| N70 .H76 2017
w| LC
c| 1
i| 30372016640994
d| 1/11/2018
e| 6/20/2017
l| JGES
m| JOYNER
r| Y
s| Y
t| JGESBK
u| 6/15/2017
x| BOOK
z| JSTACKS
o| .STAFF. jjlm