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LEADER 03855cam 2200649 i 4500
001
ocn944380899
003
OCoLC
005
20180511100503.0
008
160421t20172017nyuag b 001 0 eng c
010
a| 2016019176
019
a| 966555765
a| 966562379
020
a| 9781138122925
q| hardcover
020
a| 1138122920
020
a| 9781138122949
q| paperback
020
a| 1138122947
020
z| 9781315649184
029
1
a| CHVBK
b| 365618578
029
1
a| CHDSB
b| 006614134
029
1
a| CHVBK
b| 40394015X
029
1
a| CHBIS
b| 010655598
029
1
a| AU@
b| 000057383650
035
a| (Sirsi) o944380899
035
a| (OCoLC)944380899
z| (OCoLC)966555765
z| (OCoLC)966562379
040
a| ICU/DLC
b| eng
e| rda
c| CGU
d| DLC
d| YUS
d| YDXCP
d| BTCTA
d| BDX
d| GZN
d| RES
d| UWO
d| IGA
d| MUU
d| SOI
d| CHVBK
d| OCLCO
d| OCLCA
d| CIA
d| OCLCA
d| UtOrBLW
042
a| pcc
043
a| n-us---
049
a| EREM
050
0
0
a| ML419.C63
b| R87 2017
082
0
0
a| 788.7/165092
2| 23
100
1
a| Rush, Stephen,
d| 1958-
e| author.
=| ^A1253943
245
1
0
a| Free jazz, harmolodics, and Ornette Coleman /
c| Stephen Rush.
264
1
a| New York, NY ;
a| Abingdon, Oxon :
b| Routledge,
c| 2017.
264
4
c| ©2017
300
a| xvi, 302 pages :
b| illustrations, music ;
c| 26 cm
336
a| text
b| txt
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
504
a| Includes bibliographical references and index.
505
0
a| Historical context -- An introduction to harmolodics -- Transposition and harmolodics -- A definition of harmolodics: the shape of jazz to come---"Peace warriors" (quartet version) -- An argument for a harmolodic approach to jazz instruction---"Kathelin Gray" and "Peace" -- An interview with Ornette Coleman, with reflections -- Post-interview reflections -- Analysis and transcription of harmolodic compositions -- Full transcriptions of all solos.
520
a| "Free Jazz, Harmolodics, and Ornette Coleman discusses Ornette Coleman's musical philosophy of "Harmolodics," an improvisational system deeply inspired by the Civil Rights Movement. Falling under the guise of "free jazz," Harmolodics can be difficult to understand, even for seasoned musicians and musicologists. Yet this book offers a clear and thorough approach to these complex methods, outlining Coleman's position as the developer of a logical--and historically significant--system of jazz improvisation. Included here are detailed musical analyses of improvisations, accompanied by full transcriptions. Intimate interviews between the author and Coleman explore the deeper issues at work in Harmolodics, issues of race, class, sex, and poverty. The principle of human equality quickly emerges as a central tenet of Coleman's life and music. Harmolodics is best understood when viewed in its essential form, both as a theory of improvisation and as an artistic expression of racial and human equality" -- From the publisher.
600
1
0
a| Coleman, Ornette
x| Criticism and interpretation.
=| ^A172127
650
0
a| Jazz musicians
z| United States
v| Biography.
=| ^A413048
650
0
a| Free jazz
x| Analysis, appreciation.
=| ^A598227
650
0
a| Improvisation (Music)
=| ^A29381
650
7
a| MUSIC / Genres & Styles / Jazz.
2| bisacsh
600
1
7
a| Coleman, Ornette,
d| 1930-2015.
2| gnd
0| (DE-588)118890964
?| UNAUTHORIZED
650
7
a| Free Jazz.
2| gnd
0| (DE-588)4155265-9
650
7
a| Improvisation.
2| gnd
0| (DE-588)4127993-1
938
a| Brodart
b| BROD
n| 115183671
938
a| Baker and Taylor
b| BTCP
n| BK0018512296
938
a| YBP Library Services
b| YANK
n| 12880871
938
a| YBP Library Services
b| YANK
n| 12880872
949
o| jjnb
994
a| C0
b| ERE
596
a| 3
998
a| 4675602
999
a| ML419.C63 R87 2017
w| LC
c| 1
i| 30372017491926
d| 12/9/2019
e| 10/2/2019
f| 6/26/2018
g| 2
l| MST
m| JMUSIC
n| 1
r| Y
s| Y
t| MGESBK
u| 1/26/2018
x| BOOK
z| MCIRC
o| .STAFF. jjnb