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LEADER 03777cam 2200637 i 4500
001
ocn870147729
003
OCoLC
005
20161031032808.0
008
140130s2014 nyug b 001 0 eng
010
a| 2014003922
015
a| GBB474316
2| bnb
016
7
a| 016794442
2| Uk
020
a| 9781107067691
q| (hardback)
020
a| 1107067693
q| (hardback)
029
1
a| AU@
b| 000052534284
029
1
a| CHBIS
b| 010200279
029
1
a| CHDSB
b| 006295051
029
1
a| CHSLU
b| 001175724
029
1
a| CHVBK
b| 320996425
029
1
a| CHVBK
b| 325424047
029
1
a| CHVBK
b| 329634313
029
1
a| NZ1
b| 15669058
035
a| (Sirsi) o870147729
035
a| (OCoLC)870147729
040
a| DLC
b| eng
e| rda
c| DLC
d| YDX
d| BTCTA
d| YDXCP
d| UKMGB
d| OCLCF
d| PUL
d| CHVBK
d| IAD
d| COO
d| ICW
d| OCLCQ
d| S3O
d| ERE
d| UtOrBLW
042
a| pcc
049
a| EREM
050
0
0
a| ML423.S33
b| M67 2014
082
0
0
a| 780.92
2| 23
084
a| MUS020000
2| bisacsh
100
1
a| Morgan, Robert P.,
e| author.
=| ^A119195
245
1
0
a| Becoming Heinrich Schenker :
b| music theory and ideology /
c| Robert P. Morgan.
264
1
a| New York :
b| Cambridge University Press,
c| 2014.
300
a| xx, 275 pages :
b| music ;
c| 26 cm
336
a| text
b| txt
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
520
a| Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century [Publisher description].
505
0
a| Part I : Theory -- Introduction -- Schenker's final theory -- Part II : Development -- "Der Geist der musikalischen Technik" -- Die Harmonielehre -- Kontrapunkt I and II -- The monographs -- Der Tonwille and Das Meisterwerk in der Musik -- Der Freie Satz -- Part III : Reconsideration -- Critical assessment : ideology -- Critical assessment : theory -- Conclusion.
504
a| Includes bibliographical references and index.
600
1
0
a| Schenker, Heinrich,
d| 1868-1935
x| Criticism and interpretation.
=| ^A30018
650
0
a| Music theory.
=| ^A382149
650
7
a| MUSIC
x| History & Criticism.
2| bisacsh
600
1
7
a| Schenker, Heinrich,
d| 1868-1935.
2| fast
0| (OCoLC)fst00049949
?| UNAUTHORIZED
650
7
a| Music theory.
2| fast
0| (OCoLC)fst01030620
600
1
7
a| Schenker, Heinrich,
d| 1868-1935.
0| (DE-588)118607154
2| gnd
?| UNAUTHORIZED
650
7
a| Musiktheorie.
0| (DE-588)4040876-0
2| gnd
650
7
a| Musikteori.
2| sao
655
7
a| Criticism, interpretation, etc.
2| fast
0| (OCoLC)fst01411635
938
a| Baker and Taylor
b| BTCP
n| BK0014978933
938
a| YBP Library Services
b| YANK
n| 11685513
949
2| LC
h| JMUSIC53
i| 30372016902105
o| jjnb
994
a| C0
b| ERE
596
a| 3
998
a| 4552033
999
a| ML423.S33 M67 2014
w| LC
c| 1
i| 30372016902105
d| 4/12/2021
e| 4/9/2021
f| 6/27/2018
g| 1
l| MCOS
m| JMUSIC
n| 9
r| Y
s| Y
t| MCOSBK
u| 10/31/2016
x| BOOK
z| MCIRC
o| .STAFF. jjnb