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LEADER 05255cam 2200373I 4500
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ocm00599225
005
20141212093003.0
008
730409_1947_______ ____ __eng_u
010
a| 47012355
035
a| (Sirsi) o00599225
035
a| (OCoLC)426637
040
c| WSU
d| ERE
d| UtOrBLW
049
a| EREM
090
a| ML193.B85
b| M8
100
1
a| Bukofzer, Manfred F.,
d| 1910-1955,
e| author.
=| ^A49500
245
1
0
a| Music in the baroque era :
b| from Monteverdi to Bach /
c| By Manfred F. Bukofzer.
260
a| New York :
b| W.W. Norton & Company,
c| [1947]
300
a| xv, 489 pages, 12 pages of plates :
b| illustrations, portraits, facsimiles, music ;
c| 24 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
504
a| Includes bibliographical references (pages 417-469).
520
a| This history of the music of the Baroque Era in Europe--roughly, from the 17th century through the first half of the 18th--covers the entire field, from Monteverdi and Schütz at its inception to the great works of Bach and Handel.
505
0
0
t| Renaissance versus Baroque music.
t| Disintegration of stylistic unity ;
t| Stylistic comparison between Renaissance and Baroque music ;
t| The phases of Baroque music --
t| Early Baroque in Italy.
t| The beginnings of the concertato style: Gabrieli ;
t| The monody: Peri and Caccini ;
t| Transformation of the madrigal: Monteverdi ;
t| The infulence of the dance on vocal music ;
t| Emancipation of isntrumental music: Frescobaldi ;
t| The rise of opera: Monteverdi ;
t| Tradition and progress in sacred music --
t| Early and middle Baroque in the northern countries.
t| The Netherlands school and its English background.
t| English antecedents: the abstract instrumental style ;
t| The Netherlands: Sweelinck --
t| Germany and Austria in the 17th century.
t| Chorale and devotional song ;
t| Chorale motet and chorale concertato: Schein ;
t| The dramatic concertato: Schutz ;
t| Continuo lied, opera, and oratorio ;
t| Scheidt, Froberger, and Biber --
t| Italian music of the middle Baroque.
t| The bel-canto style ;
t| The chamber cantata: Luigi Rossi and Carissimi ;
t| The oratorio: Carissimi and Stradella ;
t| The Venetian opera school ;
t| Instrumental music: the Bologna school --
t| French music under absolutism.
t| The ballet de cour ;
t| French reactions to Italian opera ;
t| Comedie-ballet and tragedie lyrique: Lully ;
t| Cantata, oratorio, and church music ;
t| Lute miniatures and keyboard music: Gaultier and Chambonnieres ;
t| Music in the Iberian peninsula, New Spain and colonial America --
t| English music during the commonwealth and restoration.
t| The masque and the English opera: Lawes and Blow ;
t| Consort music: Jenkins and Simpson ;
t| Anglican church music: Porter, Humfrey, and Blow ;
t| Henry Purcell, the restoration genius --
t| Late Baroque: luxuriant counterpoint and concertato style.
t| The culmination of late Baroque music in Italy.
t| The rise of tonality ;
t| Concerto grosso and solo concerto ;
t| Ensemble sonata and solo sonata ;
t| Opera seria and opera buffa - cantata and sacred music --
t| Late Baroque and Rococo style in France.
t| Ensemble and Clavecin music ;
t| Opera and cantata in France --
t| Fusion of national styles: Bach.
t| The state of instrumental music in Germany before Bach ;
t| The state of protestant church music before Bach ;
t| Bach: the early period ;
t| Bach the organist: Weimar ;
t| Bach the mentor: Cothen ;
t| Bach the cantor: Leipzig ;
t| Bach, the past master --
t| Coordination of national syles: Handel.
t| The state of secular vocal music in Germany before Handel ;
t| Handel: German apprentice period ;
t| Italian journeyman period ;
t| English master period: Operas - oratorios - instrumental music ;
t| Bach and Handel, a comparison --
t| Form in Baroque music.
t| Formal principles and formal schemes ;
t| Style and form ;
t| Audible form and inaudible order --
t| Musical thought of the Baroque era.
t| Code of performance: composer and performer ;
t| Theory and practice of composition ;
t| Musical speculation --
t| Sociology of baroque music.
t| Courtly musical institutions of state and church: private patronage ;
t| Civic musical institutions: collective patronage ;
t| Social and economic aspects of music and musicians.
650
0
a| Music
x| History and criticism
y| 17th century.
=| ^A18818
650
0
a| Music
x| History and criticism
y| 18th century.
=| ^A18818
919
a| BOOK
596
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998
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999
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t| MCSSBK
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o| .STAFF. .note. Temporary transfer #1 to HSL Temporary transfer #2 to HSL
o| .STAFF. 0
o| .STAFF. Copy Statement : c. 2
999
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999
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