| Contents |
Overtures: Introduction ; Enlightenment as negative freedom ; Enlightened music -- Masculine music: Music of enlightened masculinity ; Angry masculine music ; Libertinage and musical libertinage ; The Enlightenment's legitimation of feelings ; Sensitive masculine music ; Conclusions to part II : the differentiation of masculine music -- Feminine music: Music of enlightened femininity ; Sorrowful feminine music ; Hysterical feminine music ; Music of feminine moral frailty ; The musical ridicule of feminine intentions ; Two maids' and a peasant girl's music ; Conclusions to part III : the differentiation of feminine music -- Seductions: Simple musical seductions ; Complex musical seduction : Fiordiligi and Ferrando -- Finales: Five finales ; Don Giovanni and the stone man ; Kant, Sade and Don Giovanni ; Così fan tutte Act II Finale ; The futures of the operas. |
| Bibliography note | Includes bibliographical references (p. [227]-233) and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2011035398 |
| ISBN | 9780754668893 (hardcover : alk. paper) |
| ISBN | 0754668894 (hardcover : alk. paper) |
| ISBN | 9781409442363 (ebook) |
| ISBN | 1409442365 (ebook) |
