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V. 1. Statement of aims -- The two versions of Mozart's Rondo K. 494 / by Hans Neumann and Carl Schachter -- Tonality in early medieval polyphony: towards a history of tonality / by Felix Salzer -- Mode and polyphony around 1500: theory and practice / by Peter Bergquist -- The Tristan Prelude: techniques and structure / by William J. Mitchell -- The musical language of Wozzeck / by George Perle. |
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V. 2. Foreword -- The autograph of the first movement of Beethoven's Sonata for violoncello and pianoforte, opus 69 / by Lewis Lockwood -- Mathematical aspects of music / by David Loeb -- Landini's treatment of consonance and dissonance: a study in fourteenth-century counterpoint / by Carl Schachter -- Fusion of design and tonal order in mass and motet: Josquin Desprez and Heinrich Isaac / by Saul Novack -- The prologue to Orlando di Lasso's Prophetiae Sibyllarum / by William J. Mitchell -- The Sarabande of J.S. Bach's Suite no. 3 for unaccompanied violoncello [BWV 1009] / by Heinrich Schenker ; translated by Heidi Siegel -- Chopin's Nocturne in C♯ [C sharp] minor, opus 27, no. 1 / by Felix Salzer -- Tonal coherence in the first movement of Bartók's Fourth String Quartet / by Roy Travis. |
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V. 3. William J. Mitchell (1906-1971) -- Preface -- The treatises of Christoph Bernhard / translated by Walter Hilse -- Haydn's Elementarbuch: a document of classic counterpoint instruction / by Alfred Mann -- Bach's Fugue in B♭ [B flat] major, Well-Tempered Clavier, book I, no. XXI [BWV 866] / by Carl Schachter -- Beethoven's La Malinconia from the String Quartet, opus 18, no. 6: techniques and structure / by William J. Mitchell -- Chopin's Etude in F major, opus 25, no. 3: the scope of tonality / by Felix Salzer -- Some unpublished music and letters by Maurice Ravel / by Arbie Orenstein. |
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V. 4. Preface -- A contribution to the study of ornamentation / by Heinrich Schenker ; translated by Heidi Siegel -- The Largo of Bach's Sonata no. 3 for unaccompanied violin [BWV 1005] / by Heinrich Schenker ; translated by John Rothgeb -- Haydn's Fantasia from the String Quartet, opus 76, no. 6 / by Felix Salzer -- Aspects of the recapitulation in Beethoven piano sonatas / by Roger Kamien -- The musical significance of Beethoven's fingerings in the piano sonatas / by Jeanne Bamberger -- Rhythm and linear analysis: a preliminary study / by Carl Schachter -- An analytic study of Japanese koto music / by David Loeb. |
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V. 5. Preface -- Brahms's study, Octaven u. Quinten u. A., with Schenker's commentary translated / by Paul Mast -- Rhythm and linear analysis: durational reduction / by Carl Schachter -- The Great Quartet in Mozart's Idomeneo / by Daniel Heartz -- The variation movement of Mozart's Divertimento K. 563 / by Felix Salzer -- The symmetrical source of Webern's Opus 5, no. 4 / by Charles Burkhart -- The first movement of Mahler's Tenth Symphony: an analysis and an examination of the sketches / by Peter Bergquist. |
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V. 6, pt. 1. Felix Salzer (1904-1986) -- Preface -- Rhythm and linear analysis: aspects of meter / by Carl Schachter -- Monteverdi's Ohimè dov'è il mio ben and the Romanesca / by David Gagné -- Conflicting binary and ternary rhythms: from the theory of mensural notation to the music of J.S. Bach / by Frederick Neumann -- The recurrent figure in the Britten/Piper opera Death in Venice / by Roy Travis. |
| Bibliography note | Includes indexes. |
| LCCN | 67016204 |
