| Series |
The library of essays on music performance practice
Library of essays on music performance practice. ^A1108455
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| Contents |
Part I: Method. On "instrumental style" in early melody / Lloyd Hibberd -- Specific information on the ensembles for composed polyphony, 1400-1474 / David Fallows -- Part II: Songs. Going beyond the limits: experiments with vocalization in the French chanson, 1340-1440 / Christopher Page -- Performance practices in the frottola / William F. Prizer -- The a cappella heresy in Spain: an inquisition into the performance of the cancionero repertory / Tess Knighton -- Tenorlied, Discantlied, polyphonic Lied: voices and instruments in German secular polyphony of the Renaissance / Stephen Keyl -- Performance practice in the seconda prattica madrigal / Rinaldo Alessandrini -- Part III: Sacred music. The performing ensembles in Josquin's sacred music / David Fallows -- Performance practice in the papal chapel during the 16th century / Richard Sherr -- The performance of Palestrina: some questions, but fewer answers / Graham Dixon -- The performance of Palestrina: some further questions / Noel O'Regan -- What can the organ partitura to Tomás Luis de Victoria's Missae, Magnificat, motecta, psalmi et alia quam plurima of 1600 tell us about performance practice? / Noel O'Regan -- Minstrels in Spanish churches, 1400-1600 / Kenneth Kreitner -- Part IV: Instrumental music. Voices and instruments: soloists and ensembles in the 15th century / Keith Polk -- A cook's tour of Ferrara in 1529 / Howard Mayer Brown -- Notes (and transposing notes) on the transverse flute in the early sixteenth century / Howard Mayer Brown -- Part V: Notation. Diatonic ficta / Margaret Bent -- "High" clefs in composition and performance / Andrew Johnstone -- Part VI: Perspective. Sight-readings: notes on a cappella performance practice / Donald Grieg -- For whom do the singers sing? / Bonnie J. Blackburn. |
| Abstract |
We know what, say, a Josquin mass looks like but what did it sound like? This is a much more complex and difficult question than it may seem. This book assembles twenty articles, published between 1946 and 2009, by scholars exploring the performance of music from the fifteenth and sixteenth centuries. The collection includes works by David Fallows, Howard Mayer Brown, Christopher Page, Margaret Bent, and others covering the voices-and-instruments debate of the 1980s, the performance of sixteenth-century sacred and secular music, the role of instrumental ensembles, and problems of pitch standards and musica ficta. Together the papers form not just a comprehensive introduction to the issues of renaissance performance practice, but a compendium of clear thinking and elegant writing about a perpetually intriguing period of music history. |
| General note | Essays originally published 1946-2009, principally in the journal Early music. |
| Bibliography note | Includes bibliographical references and index. |
| LCCN | 2010931200 |
| ISBN | 0754629635 |
| ISBN | 9780754629634 |
