ECU Libraries Catalog
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LEADER 04269cam 2200625 a 4500
001
ocn707460289
003
OCoLC
005
20141212080008.0
008
110314s2011 sp a bc 000 0 eng c
020
a| 9788470755880 (English ed. : hardcover)
020
a| 8470755889 (English ed. : hardcover)
020
a| 9788470755866 (Spanish ed. : hardcover)
020
a| 8470755862 (Spanish ed. : hardcover)
020
a| 9788470755873 (Spanish ed. : softcover)
020
a| 8470755870 (Spanish ed. : softcover)
029
1
a| AU@
b| 000047685593
029
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a| NZ1
b| 13737652
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a| (Sirsi) o707460289
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a| (OCoLC)707460289
040
a| C3L
c| C3L
d| YDXCP
d| UKTTE
d| ERASA
d| CUS
d| BWX
d| AUM
d| OSU
d| H7K
d| ZCU
d| ERE
d| UtOrBLW
041
1
a| eng
h| spa
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a| pcc
043
a| cl-----
049
a| EREE
050
4
a| N6502.57.A37
b| C65 2011
082
1
4
a| 709
2| 21
245
0
0
a| Cold America :
b| geometric abstraction in Latin America (1934-1973) /
c| [exhibition concept, Osbel Suárez, guest curator ; texts, María Amalia García [and others] ; editing, Erica Witschey and Fundación Juan March ; translations, Michael Agnew [and others]].
246
3
0
a| Geometric abstraction in Latin America (1934-1973)
260
a| Madrid :
b| Fundación Juan March,
c| ©2011.
300
a| 504 pages :
b| illustrations (some color) ;
c| 32 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
500
a| "This catalogue and its Spanish edition are published on the occasion of the exhibition Cold America, Geometric Abstraction in Latin America (1934-1973), Fundación Juan March, Madrid, February 11-May 15, 2011."
500
a| Authors of the catalog: María Amalia García [and others].
504
a| Includes bibliographical references.
520
a| The exhibition sets out to chart the complex and fragmented path of geometric abstraction in Latin America so as to reveal the way in which it renovated and also differed from the constructions and inventions produced by European geometric abstraction. Painting, sculpture, photography, and architecture are represented through the nearly three hundred pieces on display, some never before viewed outside their country of origin, by a total of sixty-four artists from Argentina, Brazil, Colombia, Cuba, Uruguay, Venezuela and Mexico. The exhibition has a specific time frame defined by the dates in which two artists returned to America from Europe: 1934, the year when Joaquín Torres-García settled permanently in Montevideo following his European (and North American) tour, and 1973, when Venezuelan artist Jesus Rafael Soto returned to his native city of Ciudad Bolivar to attend the opening of the museum that carries his name ... The exhibition offers a vision of a Latin America that differs from the normal stereotype: rather than a hasty and cliched identification of the continent with the intense heat of spontaneity, or an association of the concept of the indigenous with that of the tropics and the Caribbean, the work of these artists in fact points to a 'cold' South America: objective, geometrical and rational, and one that gave rise to a fascinating and surprising type of abstract art.
650
0
a| Art, Abstract
z| Latin America
y| 20th century
v| Exhibitions.
=| ^A46008
650
0
a| Art, Latin American
y| 20th century
v| Exhibitions.
=| ^A583205
650
0
a| Geometry in art
y| 20th century
v| Exhibitions.
=| ^A628988
700
1
a| Suárez, Osbel.
=| ^A1091644
700
1
a| García, María Amalia,
d| 1975-
=| ^A1092130
700
1
a| Witschey, Erica.
=| ^A1079784
710
2
a| Fundación Juan March.
=| ^A225282
856
4
2
u| http://www.ilibri.casalini.it/toc/60719982.pdf
3| TOC
949
a| N6502.57.A37 C65 2011
h| JOYNER48
o| jmpl
i| 30372016455641
938
a| YBP Library Services
b| YANK
n| 4589186
938
a| Erasmus Boekhandel
b| ERAA
n| NTS0000123851
938
a| Casalini Libri
b| CASA
n| 60719982
c| 65.00 EUR
938
a| Blackwell Book Service
b| BBUS
n| 4589186
938
a| Howard Karno Books
b| KARN
n| HKB2010198338
994
a| C0
b| ERE
596
a| 1
998
a| 2677877
999
a| N6502.57.A37 C65 2011
w| LC
c| 1
i| 30372016455641
d| 3/28/2012
e| 2/10/2012
f| 2/13/2012
g| 1
l| JGES
m| JOYNER
r| Y
s| Y
t| JGESBK
u| 2/3/2012
x| BOOK
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o| .STAFF. jmpl