ECU Libraries Catalog
Librarian View
LEADER 08395cam 2200865 i 4500
001
ocn630503009
003
OCoLC
005
20141212070638.0
008
100524s2010 it a b 001 0 eng c
020
a| 9788881587797
020
a| 8881587793
029
1
a| NLGGC
b| 32949774X
029
1
a| AU@
b| 000046862485
029
1
a| NZ1
b| 13530608
035
a| (Sirsi) 99944092635
035
a| (OCoLC)630503009
035
a| 99944092635
040
a| BTCTA
b| eng
e| rda
c| BTCTA
d| YDXCP
d| ERASA
d| C3L
d| CGU
d| CRH
d| ZCU
d| UtOrBLW
041
1
a| eng
h| chi
042
a| pcc
043
a| a-cc---
049
a| EREE
050
4
a| N7345
b| .L77813 2010
066
c| $1
082
1
4
a| 709
2| 21
100
1
6| 880-01
a| Lü, Peng,
d| 1956-
e| author.
=| ^A1092809
240
1
0
6| 880-02
a| 20 shi ji Zhongguo yi shu shi.
l| English
=| ^A1092809
245
1
2
a| A history of art in 20th-Century China /
c| Lü Peng ; [translation Bruce Gordon Doar].
260
a| Milano :
b| Charta,
c| [2010], ©2010.
e| (Truccazzano :
f| Bianca & Volta,
g| 2010)
300
a| 1284 pages :
b| illustrations (some color) ;
c| 29 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
504
a| Includes bibliographical references and indexes.
505
0
a| 1. Western influence after the Opium War -- Background: developments in the Late-Ming and subsequent years -- China trade paintings -- Influence of western painters -- Shanghai School -- Dianshi Studio illustrated -- Painting societies -- The implications of the Shanghai School -- Tushanwan and its influence -- Early overseas students --
505
0
a| 2. Fine arts revolution -- Cai Yuanpei's Thinking on Art -- The emergence of "fine arts" -- Chen Duxiu -- Unfolding ideas on fine arts --
505
0
a| 3. The intellectual background and emergence of Chinese-style painting -- Background for the emergence of "Chinese-style painting" (Zhongguo-hua) -- Fine arts historiography and Japanese influence -- Traditionalists -- Chen Shizeng -- Problems -- The intellectual climate as background --
505
0
a| 4. Guohua and New Guohua: art in the exchange of civilizations -- Huang Binhong -- Qi Baishi -- Zhang Daqian -- Other Traditionalist painters -- Traditionalist thought, politics, and related ideology -- New Guohua painting: The Lingnan School -- Gao Jianfu -- Chen Shuren -- Fang Rending --
505
0
a| 5. Schools and societies -- Antecedents of Art Education -- Schools -- Associations --
505
0
a| 6. Realism, controversies, and painters -- The 1929 National Art Exhibition -- Xu Beihong -- Painters -- Sculpture -- The issue of realism --
505
0
a| 7. Modernist Art, intellectual trends, and encounters -- A poet's perspective -- Liu Haisu -- Yan Wenliang -- Modernist painters -- Painters studying in Japan -- Taiwanese painters studying in Japan -- Pang Xunqin and the Storm Society -- Storm Society members -- China Independent Art Association -- Ideological trends and artists -- Lin Fengmian -- The decline of Modernism --
505
0
a| 8. Left-wing fine arts: Modernism's political orientation -- Groups: the Woodcut Study Society and the Left-wing League of Artists -- Lu Xun's work -- Woodcut groups --
505
0
a| 9. The art and ideology of Yan'an -- The art of Yan'an -- Talks at the Yan'an Forum on Literature and Art --
505
0
a| 10. Art in KMT-ruled areas -- Cartoons and cartoonists -- The Third Department and the New Woodcut organizations -- Disputes about national forms and the transition in wartime -- Painters and sculptors -- Painters in the Praxis of National Forms -- Other painters -- Art of the Civil War Period --
505
0
a| 11. 1949-1958: art in the period of social recovery and construction -- The general situation -- New pictures for the New Year (New Nianhua) -- Contamination by politics -- The Fine Arts Movement for the worker-peasant-soldier masses -- Picture-story book illustrations (Lianhuanhua) -- Woodblock prints --
505
0
a| 12. The influence of Soviet Socialist Realism and the transition to the "two-in-one combination" -- Issues and concepts -- The Soviet background -- Learning from the Soviet Union -- Maksimov's classes -- The transition to the Two-in-one combination -- Paintings on CPC history -- Sculpture --
505
0
a| 13. The transformation of Guohua and painters in the traditional Chinese style -- Crisis and transformation -- The path of transformation -- Fu Baoshi -- Qian Songyan -- Guan Shanyue -- Li Keran -- Shi Lu -- Pan Tianshou --
505
0
a| 14. Class struggle and the art of the Cultural Revolution Period -- The move towards "Cultural Revolution" Art: 1959-1965 -- The art of the Cultural Revolution Period: 1966-1976 --
505
0
a| 15. The continuing advance of Modernism: 1950-1979 -- The Taiwan background -- The Fifth Moon Group -- Liu Kuo-sung (Liu Guosong) -- The Oriental Painting Society -- The situation of Modernism -- The art of Taiwan in the 1970s -- The background of Hong Kong -- Lui Show Kwan (Lü Shoukun) -- Wucius Wong (Wang Wuxie) -- Arts and artists -- Luis Chen (Chen Fushan) -- Sculptors --
505
0
a| 16. Scar Art and the Life-stream -- The post-1976 political background and the beginning of Scar Art -- Sichuan Scar paintings and painters -- The Life-stream and Chen Danqing --
505
0
a| 17. The revolution in form, The Stars Incident and Modernism -- The revolution in form -- "The Stars" Art Exhibition -- Modernist painting and concepts -- The discussion of Modernism --
505
0
a| 18. The '85 ideological trend and the phenomenon of art groups -- The Progressive Chinese Youth Art Exhibition -- The debate about Chinese-style painting -- The '85 art phenomenon -- The '85 ideological trends in philosophy -- Groups --
505
0
a| 19. Important groups and artists -- The Northern Art Group and its artists -- New Figurative Are and art groups of the Southwest -- Mao Xuhui -- Jiangsu Youth Art Week: Large-scale Modern Art Exhibition and the participating artists -- The '85 New Space and its artists -- Zhang Peili -- Xiamen Dada -- Huang Yongping -- Gu Wenda -- Wu Shanzhuan --
505
0
a| 20. The origins of the "grand soul" and the birth of the "free" artist -- The question of "purified language" -- The condition of the Zeitgeist and the "grand soul" -- Xu Bing -- China/Avant-Garde: China Modern Art Exhibition -- The Vagabond Artists -- Yuanmingyuan Artists Village --
505
0
a| 21. New art and artists -- Background -- Neo-academic Art and exhibitions -- The New Generation and the New Generation painters -- Liu Xiaodong -- Cynical Realism and painters -- Fang Lijun -- Political Pop and artists -- Wang Guangyi -- Gaudy Art -- Zhang Xiaogang --
505
0
a| 22. The beginnings of the market and the shift to international standards -- Ideology and the market question -- The Guangzhou Biennale -- Post-89 Chinese New Art --
505
0
a| 23. New Literati Painting and experimental ink and wash -- New Literati Painting -- Experimental ink and wash
505
0
a| 24. Art within pluralist structures -- Conceptual art and its derivatives -- Video Art -- Conceptual photography -- Artistic questions of women and women artists -- The expansion of New Painting -- Zhou Chunya --
505
0
a| 25. The Art of the New Century -- The Shanghai Biennale and the decline of the system -- "Perceptual subversion" -- 798 as a symbol -- Exhibitions and Contemporary Art -- Markets, capital, and change against the background of globalization.
546
a| English translation from the original Chinese text.
650
0
a| Art, Chinese
y| 20th century.
=| ^A211423
650
0
a| Art, Chinese
x| Western style.
=| ^A1096692
856
4
2
u| http://www.ilibri.casalini.it/toc/10862323.pdf
3| TOC
880
1
6| 100-01/$1
a| 吕澎,
d| 1956-
e| author
880
1
0
6| 240-02/$1
a| 20世纪中国艺术史.
l| English
938
a| Baker and Taylor
b| BTCP
n| BK0009002942
938
a| YBP Library Services
b| YANK
n| 3315737
938
a| Erasmus Boekhandel
b| ERAA
n| NTS0000113765
938
a| Casalini Libri
b| CASA
n| 10862323
c| 140.00 EUR
949
a| N7345 .L77813 2010
h| Joyner48
i| 30372013785107
o| jjlm
910
a| PromptCat
994
a| 92
b| ERE
596
a| 1
998
a| 2529876
999
a| N7345 .L77813 2010
w| LC
c| 1
i| 30372013785107
d| 5/4/2023
e| 2/12/2014
f| 2/13/2012
g| 1
l| JGES
m| JOYNER
n| 1
q| 1
r| Y
s| Y
t| JGESBK
u| 1/31/2012
x| BOOK
z| JSTACKS
o| .STAFF. jjlm