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LEADER 04236cam 2200385 a 4500
001
ocm09133171
005
20141212042442.0
008
821217s1983 nyug b 001 0 eng
010
a| 82024574
020
a| 0393952754
035
a| (Sirsi) o09133171
035
a| (OCoLC)9133171
040
a| DLC
c| DLC
d| ERE
d| UtOrBLW
049
a| NPEE
a| EREM
050
0
0
a| ML1156.N4
b| S6 1983
050
4
a| ML1156
b| .N42 1983
082
0
a| 781/.52/09032
2| 19
100
1
a| Newman, William S.
=| ^A19580
245
1
4
a| The sonata in the baroque era /
c| by William S. Newman.
250
a| Fourth edition.
260
a| New York, NY :
b| W.W. Norton,
c| 1983.
300
a| xiv, 476 pages :
b| music ;
c| 21 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
500
a| Includes index.
504
a| Includes bibliographical references (pages 421-463) and index.
505
0
0
g| Preface --
g| Introduction, confession, and apologia.
g| Some problems of sonata history ;
g| The scope of this study ;
g| The method of approach ;
g| The status of sonata research --
g| Part I: The nature of the Baroque sonata.
t| The meaning of "sonata."
g| Origins and first use of the word ;
g| Confusions with other terms ;
g| Definitions by contemporary theorists
t| (Praetorius, Brossard, Mattheson, Scheibe) ;
g| Other contemporary views --
g| The uses of the sonata.
g| Three main functions ;
t| In church and at court ;
g| Some specific church uses ;
t| Some specific secular uses --
g| The spread of the Baroque sonata.
g| Regions, schools, and leaders ;
g| The publication of sonatas ;
g| Quantitative aspects ;
g| Sets of sonatas --
t| Instruments and settings.
g| Trends ;
g| The instruments ;
t| Ad libitum practices ;
g| The settings --
t| The structure of the Baroque sonata.
g| An approach to Baroque form ;
g| The cycle as a whole ;
g| The separate movements -- Part II: The composers and their sonatas.
t| Italy from 1597 to about 1650.
g| A summary view ;
t| Venice (Gabrieli, Marini, Fontana, Neri) ;
t| Mantua (Rossi, Buonamente) ;
t| Brescia ;
t| Other northern Italian cities (Merula, Uccellini) ;
t| Central and southern Italy --
t| Italy from about 1650 to 1700.
t| Venice (Legrenzi, Stradella) ;
t| Bologna (Cazzati, G. B. Vitali, P. D. Antoni) ;
t| Modena (G. M. Bononcini, Colombi, T. A. Vitali) ;
g| Other northern Italian cities ;
t| Rome and Naples (Corelli, Pasquini) --
t| Italy from about 1700 to 1750.
t| Venice (Albinoni, Vivaldi, Marcello) ;
t| Bologna (Martini) ;
t| Florence (F. M. Veracini) ;
t| Torino (G. B. Somis) ;
t| Other northern Italian cities (Tartini) ;
t| Rome and Naples (Durante) --
t| Austria and Germany from about 1615 to 1650.
t| Austria (Giovanni Valentini, Bertali) ;
t| Germany (Farina, Kindermann) --
t| Austria and Germany from about 1650 to 1700.
t| Austria (Young, Schmelzer, Biber, Muffat) ;
t| South Germany ;
t| Central Germany (Pezel, Krieger, Kühnel, Kuhnau, Erlebach) ;
t| North Germany (Weckmann, Becker, Reinken, Rosenmüller, Buxtehude) --
t| Austria and Germany from about 1700 to 1750.
t| Austria (Fux) ;
t| South Germany (Pez, Abaco) ;
t| Central Germany (J. S. Bach, Quantz, J. F. Fasch) ;
t| North Germany (Telemann, Mattheson, Handel) --
t| England from about 1660 to 1710.
t| Predecessors of Purcell ;
t| Henry Purcell ;
t| Contemporaries and successors of Purcell (Ravenscroft, Loeillet) --
t| England from about 1710 to 1760.
t| In Handel's circle (Babell, Ariosti) ;
t| Geminiani and others (Festing) ;
t| Arne, Boyce, and others (Gluck) --
t| Other northern countries.
t| Holland from 1688 to about 1700 (Schenk, Noordt, Albicastro) ;
t| Holland from about 1700 to 1750 (Fesch, Locatelli) ;
t| Denmark (K. Förster) and Sweden (Roman) --
t| France: Couperin and other pioneers.
g| The background ; Couperin "le Grand" ;
t| Rebel, Duval, and others --
t| France from about 1710 to 1750.
t| Composers mostly under Italian influences (Mascitti, Senallié, F. Francoeur) ;
t| Leclair and others ;
t| Some cellists --
g| Addenda.
650
0
a| Sonata
y| 17th century.
=| ^A19581
650
0
a| Sonata
y| 18th century.
=| ^A19581
919
a| BOOK
590
a| Little-239708 - $18.95
596
a| 2 3
998
a| 199013
999
a| ML1156.N4 S6 1983
w| LC
c| 1
i| 310372002282096
d| 12/17/2019
e| 9/4/2019
f| 6/28/2018
g| 3
l| MCOS
m| JMUSIC
n| 35
q| 5
r| Y
s| Y
t| MCOSBK
u| 6/11/1992
x| BOOK
z| MCIRC
o| .STAFF. 0
o| .STAFF. Copy Statement : c.1