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LEADER 03992nam 22004814a 4500
001
ocn276228943
003
OCoLC
005
20141212012255.0
008
081117s2009 nyug b 001 0 eng
010
a| 2008049447
020
a| 9781433103575 (hardcover : alk. paper)
020
a| 1433103575 (hardcover : alk. paper)
035
a| (Sirsi) o276228943
035
a| (OCoLC)276228943
040
a| DLC
c| DLC
d| YDXCP
d| BTCTA
d| C#P
d| BWX
d| UtOrBLW
049
a| EREM
050
0
0
a| ML403
b| .S33 2009
082
0
0
a| 780.9
2| 22
100
1
a| Saloman, Ora Frishberg,
d| 1938-
=| ^A363177
245
1
0
a| Listening well :
b| on Beethoven, Berlioz, and other music criticism in Paris, Boston, and New York, 1764-1890 /
c| Ora Frishberg Saloman.
260
a| New York :
b| Peter Lang,
c| ©2009.
300
a| xv, 253 pages :
b| music ;
c| 24 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
504
a| Includes bibliographical references (pages 221-240) and index.
505
0
0
g| Paris.
t| Chabanon and Chastellux on music and language, 1764-73 --
t| Lacepede, critical contemporary of Chabanon: divergent perspectives in the music treatises of 1785 --
t| French revolutionary perspectives on Chabanon's De la musique of 1785 --
t| Classic and romantic: Berlioz's "Apercu" (1830) and musical modernity in Paris during the 1820s --
t| Chretien Urhan and Beethoven's Ninth symphony in Paris, 1838 --
t| Literary and musical aspects of the hero's Romance in Berlioz's Benvenuto Cellini, 1838 --
t| "The harmony of opposites": characterizing Cellini's apprentice --
t| Boston and New York.
t| Margaret Fuller on musical life in Boston and in New York, 1841-46 --
t| American writers on Beethoven, 1838-49: Dwight, Fuller, Cranch, Story --
t| Fink, Hach, and Dwight's Beethoven in 1843-44 --
t| Dwight, transatlantic connections, and the American premiere of Beethoven's Ninth symphony in New York, 1846 --
t| Presenting Berlioz's music in New York, 1846-90: Carl Bergmann, Theodore Thomas, Leopold Damrosch.
520
a| The twelve essays in this book illuminate aesthetic, educative, and evaluative strategies utilized by writers in Paris, Boston, and New York to guide listeners in confronting the challenges of musical modernity between 1764 and 1890. They interpret criticism from treatises, journals, amd newspapers for its importance in cultural history and consider the reception of major works by Beethoven and by Berlioz. The essays explore contrasting responses to new operas and symphonies by composers, librettists, authors, critics, and conductors as well as by writers including Chabanon, Lacepede, Berlioz, Urhan, D'Ortigue, Dwight, Fuller, Watson, and Hassard. Readers interested in perceptions of Classicism and Romanticism in music as they relate to French, German, and American literature and criticism will discover how audiences on both sides of the Atlantic were encouraged to listen attentively to the new and controversial in music of the eighteenth and nineteenth centuries.
600
1
0
a| Beethoven, Ludwig van,
d| 1770-1827
x| Appreciation
z| France.
=| ^A18609
600
1
0
a| Beethoven, Ludwig van,
d| 1770-1827
x| Appreciation
z| United States.
=| ^A18609
600
1
0
a| Berlioz, Hector,
d| 1803-1869
x| Appreciation
z| France.
=| ^A19743
600
1
0
a| Berlioz, Hector,
d| 1803-1869
x| Appreciation
z| United States.
=| ^A19743
650
0
a| Music critics
z| France.
=| ^A306617
650
0
a| Music critics
z| United States.
=| ^A306617
650
0
a| Musical criticism
z| France
x| History
y| 18th century.
=| ^A37886
650
0
a| Musical criticism
z| France
x| History
y| 19th century.
=| ^A37886
650
0
a| Musical criticism
z| United States
x| History
y| 19th century.
=| ^A37886
994
a| 92
b| ERE
910
a| PromptCat
980
a| 2009-02-18
b| 75.95
d| 0
e| 75.95
f| 632337
h| 40016365760
i| ML 403 .S33 2009
596
a| 3
998
a| 1456635
999
a| ML403 .S33 2009
w| LC
c| 1
i| 30372014573643
d| 9/10/2020
e| 2/14/2020
f| 6/22/2018
g| 5
l| MST
m| JMUSIC
n| 13
q| 4
r| Y
s| Y
t| MGESBK
u| 2/23/2009
x| BOOK
z| MCIRC
o| .STAFF. 0