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LEADER 03911cam 22005294a 4500
001
ocn233591816
003
OCoLC
005
20141212011928.0
008
080613s2009 mduag b 001 0 eng
010
a| 2008026549
020
a| 9780810861367 (cloth : alk. paper)
020
a| 0810861364 (cloth : alk. paper)
020
a| 9780810862203 (pbk. : alk. paper)
020
a| 0810862204 (pbk. : alk. paper)
020
a| 9780810862210 (ebook)
020
a| 0810862212 (ebook)
035
a| (Sirsi) o233591816
035
a| (OCoLC)233591816
040
a| DLC
c| DLC
d| YDXCP
d| BAKER
d| C#P
d| BWX
d| UtOrBLW
049
a| EREM
050
0
0
a| ML3849
b| .E54 2009
082
0
0
a| 782.2/4094309032
2| 22
100
1
a| Elferen, Isabella van.
=| ^A794634
245
1
0
a| Mystical love in the German Baroque :
b| theology, poetry, music /
c| Isabella van Elferen.
260
a| Lanham, MD :
b| Scarecrow Press,
c| 2009.
300
a| xxvi, 357 pages :
b| illustrations, music ;
c| 24 cm.
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
490
1
a| Contextual Bach studies ;
v| 2
504
a| Includes bibliographical references (pages 331-344) and index.
505
0
a| Petrarchism -- Petrarchan poetry and the madrigal in seventeenth-century Germany -- Affective expression in poetry and music -- Affect and discourse of love -- Mystical love in seventeenth- and eighteenth-century Lutheran poetry and theology -- Spiritual and mystical love in seventeenth-century vocal music -- Mystical love in Johann Sebastian Bach's vocal works.
520
a| This book identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late seventeenth- and early eighteenth-century cantatas by Heinrich Schutz, Dieterich Buxtehude, and Johann Sebastian Bach. While these compositions have been interpreted solely as a secularizing tendency within devotional music of the baroque period, the author demonstrates that they should instead be viewed as intensifications of the sacred. Based on a wide selection of previously unedited or untranslated seventeenth- and eighteenth-century sources, the author describes the history and development of baroque poetic and musical love discourses, from Schutz's early works through Buxtehude's cantatas and Bach's cantatas and Passions. This long and multilayered discursive history considers the love poetry of Petrarch and its effect on the madrigal in Germany, European reception of petrarchan imagery and tradition, and the role of Catholic medieval mystics in baroque Lutheranism. This book shows that Bach's compositional technique, focusing on the emotional characteristics of text and music rather than the depiction of single words, allows the musical expression of mystical love to correspond closely to contemporary literary and theological concepts.
600
1
0
a| Petrarca, Francesco,
d| 1304-1374
x| Influence.
=| ^A20791
650
0
a| Music and literature
x| History
y| 17th century.
=| ^A1167420
650
0
a| Music and literature
x| History
y| 18th century.
=| ^A17407
650
0
a| Music
x| Religious aspects.
=| ^A111328
650
0
a| Songs, German
x| History and criticism.
=| ^A33264
650
0
a| Cantatas
z| Germany
y| 17th century
x| History and criticism.
=| ^A282401
650
0
a| Cantatas
z| Germany
y| 18th century
x| History and criticism.
=| ^A282401
830
0
a| Contextual Bach studies ;
v| 2.
=| ^A700313
994
a| 92
b| ERE
910
a| PromptCat
980
a| 2009-02-04
b| 80
d| 0
e| 76
f| 620474
h| 40016307405
i| ML 3849 .E54 2009
596
a| 3
998
a| 1452827
999
a| ML3849 .E54 2009
w| LC
c| 1
i| 30372014573536
d| 5/4/2021
e| 3/2/2021
f| 7/5/2018
g| 3
l| MST
m| JMUSIC
n| 13
q| 2
r| Y
s| Y
t| MGESBK
u| 2/10/2009
x| BOOK
z| MCIRC
o| .STAFF. enhanced 1/25/24 -jjab