Series |
Royal Musical Association monographs ; 15 Royal Musical Association monographs ; 15. ^A217826
|
Contents |
Introduction -- The manuscript as object and its genesis. Collation ; Paper types ; Dimensions ; Subsequent additions to the original corpus ; Scribal hands ; Evidence of ownership and location since the sixteenth century ; Binding ; Repertorial evidence concordances with contemporary sources ; Stemmatic evidence ; Implications of the bibliographical and codicological evidence for provenance -- The manuscript in historical and cultural context. Repertorial layers and relationships with contemporary sources ; The historical and cultural context -- Appendix inventory of Florence 164-7. |
Abstract |
This book is an exceedingly interesting and important source; an eclectic repository not only of compositionally advanced settings of Petrarchan verse by Rucellai-group intimate Bernardo Pisano but also of sharply contrasting works, popular in character. It is almost a manifesto of the sensibilities of preeminent Florentine cultural figures of the sort who frequented the garden of the Rucellai and as such is a revealing document of Florentine musical taste during those crucial years that witnessed the emergence of the new secular genre we know as the Italian madrigal. |
Bibliography note | Includes bibliographical references (pages 112-118) and indexes. |
LCCN | 2005032869 |
ISBN | 0754655296 (alk. paper) |
ISBN | 9780754655299 (cased) |