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LEADER 03647cam 22004574a 4500
001
ocm65425894
003
OCoLC
005
20141211192513.0
008
060329s2006 mnuag b s001 0 eng
010
a| 2006010714
020
a| 0816644497 (hc : alk. paper)
020
a| 0816644500 (pb : alk. paper)
020
a| 9780816644490
020
a| 9780816644506
035
a| (Sirsi) o65425894
035
a| (OCoLC)65425894
040
a| DLC
c| DLC
d| BAKER
d| UKM
d| C#P
d| UtOrBLW
042
a| pcc
049
a| EREM
050
0
0
a| ML3830
b| .S278 2006
082
0
0
a| 781/.110943
2| 22
100
1
a| Schwarz, David,
d| 1952-
=| ^A390121
245
1
0
a| Listening awry :
b| music and alterity in German culture /
c| David Schwarz.
260
a| Minneapolis :
b| University of Minnesota Press,
c| ©2006.
300
a| xxii, 216 pages :
b| illustrations, music ;
c| 23 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
504
a| Includes bibliographical references (pages 161-211) and index.
505
0
0
t| The rise of the conductor and the missing one --
t| Franz Schubert's "Die Stadt" and sublime (dis)pleasure --
t| Music and the birth of psychoanalysis: Anton Webern's opus 6, no. 4 --
g| Left! right! left! right! music, bodies, fascism --
g| Closing the wound:
t| Parsifal by Richard Wagner and Hans-Jürgen Syberberg.
520
a| The author expands his project that he began in previous books to "tell a story of historical modernism writ large"--how German music spanning two centuries refracts changes in society and culture, as well as the impacts of concepts introduced by psychoanalysis. The author shows how post-Lacanian psychoanalysis can be applied to ideological interpellation that connects psychoanalysis to culture and how music theory can ground these considerations in precise details of musical textuality. He "listens awry" in several ways: by understanding musical meaning in both objective and socially structured ways, by embracing historical and also aesthetic approaches, by addressing high art as well as popular music, and by listening "around" conventional forms of musical meaning to reach toward that which evades signification. Structured around four themes--trauma, the other/Other, the look/gaze binary, and Judaism--this book explores five key moments in post-Enlightenment music: the rise of the singular orchestral conductor and the emergence of a new form of alterity, the Art Song and "the sublime of the delicate" (a correlate of the Kantian mathematical and dynamical sublime), the birth of psychoanalysis and the twentieth-century turn toward atonality, German war songs and the subversion of German music by the Nazis, and two different versions of Wagner's Parsifal that were performed one hundred years apart and in radically different contexts. This highly original work, filled with imaginative readings and disquieting observations, links trauma with the culture and history of modernity and German music, deftly tying the experience of the body to the sounds it hears: how it reaches us slowly, penetrates the skin, and resonates.
650
0
a| Music
x| Psychological aspects.
=| ^A106790
650
0
a| Music
z| Germany
x| History and criticism.
=| ^A69172
650
0
a| Other (Philosophy)
=| ^A560162
650
0
a| Music
x| Philosophy and aesthetics.
=| ^A18895
994
a| 92
b| ERE
910
a| PromptCat
980
a| 2006-11-08
b| 25
d| 0
e| 23.75
f| 579
596
a| 3
998
a| 1061452
999
a| ML3830 .S278 2006
w| LC
c| 1
i| 30372014152125
d| 7/17/2014
e| 10/3/2007
f| 7/5/2018
g| 3
l| MST
m| JMUSIC
n| 2
p| $23.75
r| Y
s| Y
t| MGESBK
u| 11/20/2006
x| BOOK
z| MCIRC
o| .STAFF. enhanced 1/21/24 -jjab