Contents |
Ancestral echoes : roots of the African-American community artist -- Ballad for Samuel : the legacy of Central Avenue and the 1950s avant-garde in Los Angeles -- Lino's pad : African-American Los Angeles and the formation of the Underground Musicians Association (UGMA) -- The giant is awakened : the Watts uprising and cultural resurgence -- Warriors all : UGMA in the middle of it -- The mothership : from UGMA to the Pan Afrikan Peoples Arkestra and UGMAA -- To the great house : the Arkestra in the 1970s -- Thoughts of Dar Es Salaam : the institutionalization of UGMAA -- At the crossroads : the Ark and UGMAA in the 1980s -- The hero's last dance : the '90s resurgence -- Aiee! The phantom : Horace Tapscott -- The black apostles : the Arkestra/UGMAA ethos and aesthetic -- Appendix : a view from the bottom : the music of Horace Tapscott and the Pan Afrikan Peoples Arkestra / Roberto Miranda. |
Contents |
Contents on CD: Tell God all of my troubles -- Carnival -- Waltz time -- Funeral -- Eternal Egypt suite -- Motherless child -- Ballad for Deadwood Dick -- Little Africa. |
Local note | Joyner-JOYNER MUSIC LIBRARY BOOK ACCOMPANIED BY SOUND RECORDING LOCATED AT CALL NUMBER CD-9149. |
General note | "The George Gund Foundation imprint in African American studies." |
Bibliography note | Includes bibliographical references (p. 301-343) and index. |
LCCN | 2005015753 |
ISBN | 0520245911 (cloth : alk. paper) |