| General note | For celesta, harp, orchestra bells, 2 vibraphones, and strings (divided into string quartet and string orchestra). |
| General note | "Like many of Adams's previous works, In the white silence is an example of his concept of 'sonic geography,' through which he attempts to realize the notion of music as place and place as music, and reveals his obsession with the 'treeless, windswept expanses of the Arctic.' The title of the work thus points to Alaskan landscapes in a general sense."--Notes, p. 4-5. |
| General note | "Recorded Anthology of American Music, Inc." |
| General note | Ed. recorded: Taiga Press. |
| General note | Compact disc. |
| General note | Program notes by Sabine Feisst and the composer, biographical notes on the composer and conductor, and selected discography and bibliography (15 p.) in container. |
| Performer |
Oberlin Contemporary Music Ensemble; Tim Weiss, conductor. |
| Date/time/place of a event note | Recorded in performance Nov. 11, 1998, Finney Chapel, Oberlin College, Oberlin, Ohio. |
| Genre/form | Compact discs. |
| UPC |
093228060024 |
| Publisher number | 80600-2 New World Records |
