| Contents |
FC ; Half title; Title; Copyright; Contents; 1 This is not a remix; 1.1 Introduction; 1.2 Critical approach; 2 Copy, a brief history; 2.1 The ghost in the digital machine; 2.2 The trouble with media history; 2.3 "Again, back": Repetition and music's materiality; 3 The rhetoric of remix; 3.1 Remix as trope; 3.2 The extended remix: In the press; 3.3 The extended remix: Scholarly use; 3.4 Lawrence Lessig's "Remix Culture"; 3.5 Remix as resistance; 3.6 Why the history of remix matters; 4 Disco edits: Analog antecedents and network bias; 4.1 What a difference a record makes. |
| Contents |
4.2 Interrupting the rhetoric of remix; 4.3 Disco edits, a technical distinction; 4.4 Hang the DJ; 4.5 Walter Gibbons, the break, and the edits that made disco; 4.6 Let your body talk; 4.7 Are samples copies?; 4.8 Parasites, pirates, and permission; 4.9 Digital revival and an analog persistence; 4.10 Credit to the edit; 5 The new romantics; 5.1 Piracy's long history; 5.2 MP3 blogs as social media; 5.3 Material media: MP3 blogs as artifacts and practices; 5.4 Provenance as metadata; 5.5 Rethinking participation and the folk aesthetic; 5.6 Countercultures and anticommercialism. |
| Contents |
5.7 Networking authenticity; 5.8 Analog antecedents: Harry Smith's mystical collection; 5.9 Copies, networks, and a poetics of encounter; 6 Copies and the aesthetics of circulation; Acknowledgments; Bibliography; Index. |
| Source of description | Online resource; title from digital title page (viewed on August 07, 2017). |
| Issued in other form | Print version: Borschke, Margie. This is not a remix. New York, NY : Bloomsbury Academic, 2017 9781501318924 |
| Genre/form | Electronic books. |
| Genre/form | Criticism, interpretation, etc. |
| LCCN | 2017013333 |
| ISBN | 9781501318931 (electronic book) |
| ISBN | 1501318934 (electronic book) |
| ISBN | (paperback ; alkaline paper) |
| ISBN | (hbk.) |
