| Contents |
Between the phobic object and the dissident subject: abjection and vampirism in Luis Buñuel's Viridiana / Julián Daniel Gutiérrez-Albilla -- Costume, identity and spectator pleasure in historical films of the early Franco period / Jo Labanyi -- Masculinity, monuments, and movement: gender and the city of Madrid in Pedro Almodóvar's Carne trémula (1997) / Steven Marsh -- Madness, queenship, and womanhood in Orduña's Locura de amor (1948) and Aranda's Juana la loca (2001) / Celia Martín Pérez -- New sexual politics in the cinema of the transition to democracy: de la Iglesia's El diputado (1978) / Alejandro Melero Salvador -- Borderline men: gender, place, and power in representations of Moroccans in recent Spanish cinema / Parvati Nair -- A psychoanalysis of La mujer más fea del mundo (1999) / Eva Parrondo Coppel -- Gender and Spanish horror film / Tatjana Pavlovic -- Heterosexuality in Segunda piel (Gerardo Vera, 2000) and Sobreviviré (Alfonso Albacete and David Menkes, 1999): strong women, or, the same old story? / Chris Perriam -- !Victoria? a modern Magdalene / Rob Stone -- Theatricality, melodrama, and stardom in El último cuplé / Kathleen M. Vernon -- Radio Free Folklóricas: cultural, gender, and spatial hierarchies in Torbellino (1941) / Eva Woods. |
